The Berlin-based power trio once more is driving their musical WEDGE in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we've heard a hundred times before "Like No Tomorrow" has one huge advantage: It's brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock'n'roll menu.
"...FROM THE EARTH TO THE SKY AND BACK" is the perfect soundtrack for a mind travel or a real journey on a hot hot summertime day.
Acoustic and electric guitars, percussion, banjo and pedal steel mixed with mellow vocals that let you dream away.
This is the band’s sophomore album and is composed of 14 songs. The first part of the album is inspired by a classic country attitude mixed with a spaghetti western sound. The rest of the album presents different moments, while conjuring up atmospheres reminiscent of Santana, The Eagles, Crosby Stills Nash and Young, Spirit, Captain Beyond and recent Motorpsycho, we can simply file the genere under : Acoustic, Melodic, Psychedelic Folk.
High Reeper’s self titled debut is an unapologetic punch to the face for fans of early ‘70s proto-metal. The sound and smell of leather, weed, boozing, gambling and death permeate the record from start to finish. Nine tracks that run from uptempo straight ahead rock, to slowed down, heavy, early doom. With a rhythm section throwing down grooves that are deeper than the darkest abyss and guitars big enough to put a hole in your chest, the record’s finale hits just as hard as its opening track. Vocals that soar above the guitars with laser like precision, while delivering a direct hit to your soul.
Comes in a six panel, double gatefold digipak.
Reissue with alternative cover art and two bonus tracks
Fast Thrash/Grind/HC from Czech Republic
After years of angst-ridden anticipation from a ravenous fanbase, Denver's grindcore gargantuans CATHETER unleash their first full-length album since 2005.
The follow-up to Dimension 303", amidst an incredible arsenal of split releases, EPs and demos over the years, CATHETER's new opus is so obliteratingly heavy that upon first listen you'll quickly forgive them for the delay since the last album, and immediately tear your own head off in utter joy.
As always appropriately entitled, "Southwest Doom Violence" surges with CATHETER's pissed-off style, an immediate adrenaline-booster for fans of classic, ripping grindcore in the tradition of REPULSION, TERRORIZER, PHOBIA, early NAPALM DEATH, with crust and doom metal infiltrating the mix.
Denver's cantankerous trio return bringing their sophomore release "Dimension 303". Following-up to the band's vicious trademark sonic assault, the album lays to waste eighteen intense, kick-to-the-face hypergrind bursts of relentless auditory damage.
Catheter plays violent, catchy grindcore seething with crust, punk, doom and sludge elements dusting the final product. Powerful production and superb musician skills just complete this grind entity, making "Dimension 303" a monstrous masterpiece from one of the most proficient and dedicated grind acts around.
18 songs of brutal masterful Colorado grindcore bulldozer in the vein of Phobia, Repulsion and old Napalm Death plus some sludge parts like Eyehategod or 16.
The CD contains also 10 more tracks from "Headfucker" 7" and live cuts from their gig at Bluebird Theater '02 that are not on US pressing. Additionally they played three cover songs by Napalm Death, Repulsion and The Accused. "Preamble To Oblivion" bring us big dose of good-sounding and well-played grind at the highest level of brutality and technique which places these Denver, Colorado thrashers on the top of American scene .
You can't miss it!!!
Space folk acoustic project of Gabriele Fiori (Black Rainbows)
I.C.O. is a powerful overcharging state, originating from the mastodontic approach to the riff rooted in a hardcore attitude and developing in something different and multiform.
The furious dynamics, the tearing vocals, the seventies italian prog reminiscences and the psychedelic aesthetic show the will to experiment on continuosly mutating song structures.
A hammered 4-stroke beat like a twin cylinder engine running on idle, a roaring guitar riff revving up the rpms of the iron-built motorcycle-inspired band, then the fresh and insisting breeze of a Farfisa organ whispering 'let's ride' and a heavy bass greasing up the reliable crank and rods of that authentic rock'n'roll machine, and there goes, ladies and gents, the mighty Lords Of Altamont combo!
Riding hard on backyard-built, loud pipes and rigid frame undestructible raw choppers, the band left their garage enlivened by the year of 1969, right at the crossroads of the Summer of Love and the birth of punk rock.
The reissue of the debut album of this german classic, vintage, retro rock sound band. This record is a small gem for lovers of Kadavar, Captain Beyond, The Who,Cream, MC5 and all the retro rock scene.
Acid Cream" marks the fuzzy comeback of KILLER BOOGIE. Gabriele Fiori and Luigi Costanzo are joined by the new bassist Nicola Cosentino on this 11 track long trip. The new album is inspired by the crazy days of the late 60s and the 70s, with a pinch of proto-punk and proto-metal feeling in the sound of this sophomore incredible album. This album is filled with riffs that will please all fuzz & muff lovers.