List of products by label Heavy Psych Sounds Records

Heavy Psych Sounds is really proud to announce a brand new series of split albums that will be called DOOM SESSIONS.
We are going to release a bunch of compilations with doom bands from Heavy Psych Sounds roster featuring some of the heaviest bands of the world doom scene.

Each volume will host two bands.
TThis record you are holding is VOL. 5 – a split album between the Philly doom riffers HIGH REEPER and the Portland heavy rockerz HIPPIE DEATH CULT.
All the tracks are new and never released before. An impressive heavy doom and hard rock trip !!!

Awesome artwork by the mighty Luca SoloMacello.

"From The Graveyard" is the second full length of the Occult Doom band "1782".
In this album there is a leap in quality as the production is much better than the previous releases.

Eight tracks and 43 minutes of pure dark Doom, with slow and powerful riffs, and heavy and massive drumming. After the recording of "Doom Sessions Vol.2", the band immediately enters the studio and records the heaviest tracks they have done so far, and they have done it while maintaining that catchy state they have always had.
As in the eponymous debut album, the artwork was done by the mighty SSCVLT.
"From The Graveyard" was recorded, mixed and mastered in November 2020 by Alfredo Carboni at "RKS Studios" in Ossi, Sardinia (Italy).

North Carolina’s Cosmic Reaper comes crashing through the speakers with their self-titled debut album.
Dripping with a classic 70’s attitude, mixing sci-fi oriented lyrics, brief but satisfying moments of prog exploration, all while keeping one foot firmly planted in modern doom, you start to get an idea of the interstellar journey that awaits.

The heaviest elements are there and are guaranteed to move planets.
The stars align and engines ignite as Cosmic Reaper claws at the soul of the genre.

Heavy Psych Sounds is really proud to announce a brand new series of split albums that will be called DOOM SESSIONS.
We are going to release a bunch of compilations with doom bands from Heavy Psych Sounds roster featuring some of the heaviest bands of the world doom scene.

Each volume will host two bands.
This record you are holding is VOL. 3 – a split album between the US “Relapse records” legendary sludge-hardcore riffers 16 and the Italian heavy sludge band Grime.

All the tracks are new and never released before.
Almost half an hour of angry and aggressive heavy doom and sludge riffs !!!
Awesome artwork by the mighty Branca Studio.

Komatsu's powers of mass construction resurrected a rare desert flower in their fourth album “Rose of Jericho”.
Light meets heavy and desolation meets beauty in the 9 powerful songs that make up this album.

“Rose of Jericho” combines a lyrical depth that resonates the current (political) rabbitholes with dark, groovy, warm riffs supporting rugged vocals. The sound of the album is a real mixture between Stoner and Metal, but with melodic and choral vocal lines. Change of tempo and rhythm, make the listener glue to the speakers until the last note of the album. Komatsu is Mo Truijens (vocals/guitar), Mathijs Bodt (guitar), Martijn Mansvelders (bass) and Jos Roosen (drums).

Vultures is an EP of the swedish stoner band Dozer.
Recorded in 2004-2005 at Rockhouse Studios in Borlänge, these six tracks were used as pre-production demos for what would later become the fourth Dozer album, 2005’s Through the Eyes of Heathens.

The album is now released for the first time on vinyl and digipak with a very special unreleased bonus track, a cover of the Sunride song Vinegar Fly.
Vultures is a real heavy-stoner explosion, something that only Dozer can provide.
The amazing artwork is made by Lowrider leader Peder Bergstrand.

The Berlin-based power trio once more is driving their musical WEDGE in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we've heard a hundred times before "Like No Tomorrow" has one huge advantage: It's brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock'n'roll menu. 

BIG SCENIC NOWHERE is coming back with a new killer Ep titled “LAVENDER BLUES” ….the band boasts a core of members consisting of Bob Balch from FU MANCHU, Gary Arce from YAWNING MAN, Bill Stinson from YAWNING MAN and Tony Reed from MOS GENERATOR.

This time the album is going to feature great names like Per Wiberg of OPETH and SPIRITUAL BEGGARS on synth and piano, Daniel Mongrain of VOIVOD on guitar and finally Chris Goss, the mighty producer of KYUSS and of MASTERS OF REALITY on guitar.

The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there.

The album once again features the cover art of the visionary Max Loeffler.

A longtime dream has been to capture the YAWNING MAN performing in the very environment that so inspired their music.

This cinematic concert experience is intimately and beautifully captured by videographer Sam Grant in the environment that inspires Yawning Man’s spacious, expansive and cinematic music.

In the spirit of Pink Floyd’s “Live at Pompeii” the performance is shot on location with no audience, just the band performing their instrumental meditations in the rugged beauty of the Mojave Desert.

Giant Rock in Landers California has attracted Native American Nomads, Scientists, UFO Researchers, and travelers from all over the world, drawn by its magnetic spiritual energy. 
Yawning Man’s music has found a most fitting venue.

Prior to the formation of Queens of the Stone Age, bassist/singer Nick Oliveri recorded some originals with ex-Kyuss bandmates Josh Homme (guitar) and Brant Bjork (drums), plus Karma to Burn's Rob (drums) and others.
But once recording was completed, Oliveri decided to shelve the tapes; it wasn't until several years later (well after Queens of the Stone Age began to establish themselves) that the bassist decided to release the songs on a friend's indie label, Southern Lord Records.
Going by the name Mondo Generator, 11 tracks were compiled for the 2000 release Cocaine Rodeo.

The majority of the songs are much more raw and hardcore/punk-based than Oliveri's output with QOTSA, as evidenced by such tracks as "Shawnette," "Uncle Tommy," "Unless I Can Kill," and "I Want You to Die."

With Dead Planet Oliveri has taken a band once considered a side project and turned it into a full-fledged rock and roll powerhouse.

As has been his trademark when he had written songs with Kyuss or QOTSA, this album just oozes with punk rock ethos.
Combined with the stoner rock influences that he helped create, this album is a study in excess and self-indulgence. And that is exactly what makes it so damn good.

Light the Dankness is the latest Belzebong album, released in 2018. We are very stoked to present you the repress of this amazing record.
The release, which is vocalized only with periodic samples, is nonetheless able to convey its sensibilities not only through its titles, but through the bare riffs and grooves themselves.