Black vinyl in a gatefold sleeve.
Dark Angel - Live Scars - LP
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ZAUM caught the ear of I Hate with a truly impressive sound that (to us at least) combines the foreboding darkness of The Wounded Kings, with the meditative, oriental disposition of Om and Bong - thickly entwined in singular aural mysticism and creativity that stimulates the imagination at all times. Conceptually driven by a deep-seated fascination with the ancient Middle East and an overall presentation that sustains a demand for deeper reflection, it's only natural and appropriate that ZAUM dubbed their music style 'Middle Eastern mantra doom'.
It’s easy to imagine the mouthful title of riff-rocking Roman trio Black Rainbows third album, Supermothafuzzalicious!! (double-exclamation points included), emerged as a spontaneous outburst upon hearing the record in studio playback. It’s about as apt a title as I could come up with, and though the band seem to be perpetually following the riffs of guitarist/vocalist Gabriele Fiori, they have undertaken some creative growth since their 2008 debut. (The Obelisk)
The aural experience of Yawning Man summarizes as an intense yet graceful kaleidoscope of polyphonic musical textures.
Dramatic and flowing, dark, intense and emotional. July 2018 finds the band releasing their most musically exciting recording to date with their 6th full length LP, “THE REVOLT AGAINST TIRED NOISES” on the ambitious up and coming independent label, HEAVY PSYCH SOUNDS.
The songs on this release are described as “an emotional and visceral expression of pure melodic darkness and beauty”, the album was recorded at Gato Trail Studios in Joshua Tree, CA and produced and engineered by friend and long time collaborator, Mathias Schneeberger (Mark Lanegan, Greg Duli, SUNN O))), Earth, The Obsessed)
Plaguewielder was the name of Darkthrone's ninth album and it was originally released in 2001.
The album contained the trademark Darkthrone riffing in the black metal style, plus fast and mid-tempo tracks mixed with punk and heavy metal influences from the 80s and beyond, plus a production which brought an extra clarity to the overall execution.
“We Will Regret This Someday” is the excruciating first album from Spain's most obnoxious band. After six long years of countless seven inches TEETHING return with 12 tracks of no-bullshit, pissed-off, grindcore with hardcore edge. This chronicle is not only their most sincere work to date, it's a firm slap in the face. Recorded and mixed at Sadman Studios and mastered by Brad Boatright at AudioSiege (NAILS, WEEKEND NACHOS, WAKE, MAGRUDERGRIND). Highly recommended for fans of NAILS, NAPALM DEATH, MAGRUDERGRIND, WEEKEND NACHOS.
Cosmic Death/Doom from Minneapolis/MN (United States).
Formed in 2017, Void Rot is a Death/Doom band which draws on bands such as Krypts, Spectral Voice, Convocation and Rippikoulu for inspiration. Void Rot’s debut EP "Consumed by Oblivion" delivers a haunting and crushing atmosphere accentuated by bursts of raw darkness.
Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and more...
Repress of the classic 2004 Album
Includes "High Level Cannibalistic Violence" (Demo 1999)
Gandhi's Gunn (now Isaak) sophomore album The Longer The Beard, The Harder The Sound, clearly revealed a band ready to transcending their core influences and explore more visionary and psychedelic territories.
We’re talking: churning riffs, elephantine grooves and raging growls, seasoned to perfection with lysergic flights, epic jams and even mesmerizing quieter passages, before being served al dente for consumption by our most discerning stoner rock patrons.
Original version on Black Vinyl. The album got later repressed by US label Small Stone Recordings with the band's new name: ISAAK!
Release Date: April 5th, 2019
"Back in December of 2010, I went into a house in Joshua Tree California to record another solo record. About 4 days into the sessions, I decided to abandon the 8 songs I was working on, told my long time friend and engineer, Tony Mason, to start rolling tape and I proceeded to play drums in my natural improv style. After multiple drum track performances were captured, I then started layering guitars, bass and percussion in the same improvisational spirit. I essentially decided to "jam" by myself for the rest of my scheduled sessions. I decided to call the collective tracks, Jacoozzi. At the time, it reminded me of the feeling of my first solo recording sessions for my first solo release, Jalamanta.... only more "free". "
Finnish Grindcrushers ROTTEN SOUND detonate "Suffer To Abuse", an all-new mini LP of grinding metal ferocity!
Opaque Blue Vinyl strictly limited to 400 copied worldwide!
With special etched B-side!
Handmade cardboard digipak
Limited to 150 handnumbered copies
Born in the high desert of southern California, "Scattered Days" is the final collection of songs written and recorded in the Morongo Basin by Dandy Brown (Hermano and Orquesta del Desierto) as a solo-project.
Still containing all the blues, rock and pop elements of Brown’s earlier productions, Scattered Days is a unique blend of tones and flavors that DB fans have come to expect from his productions. Assembled in Joshua Tree, Palm Springs and Yucca Valley, the album reflects all the emotion and wide open sounds appreciated by those who love collections recorded in the desert.
France's finest in Grindcore, Sublime Cadaveric Decomposition!1
The music of Moscow's Brom is an explosive mixture of jazz and punk. Concentrated and dense avant-jazz performed by trio with aggressive rhythm section and penetrating sax solos.
Death metal powerhouse Dying Fetus return with their long-awaited new record War of Attrition.
Masterminded by guitarist/vocalist John Gallagher and his hand picked kill-team, War of Attrition advances the band's devastating assault and destroys everything in its path. From the first song to the last, the patented 'Fetus combination of punishing slam riffs, frenzied guitar work, and utterly savage dual-vocal assault and overpowers the listener. War of Attrition reaches an altogether new and focused level of brutality for Dying Fetus, and expands and cements the legendary status of this renowned US metal institution.