Expect no typical doom metal here eerie listeners, this album isn't just a bunch of recycled Black Sabbath riffs, Acid Witch have crafted their own sound that sounds like no other band now or from the past. Their influences melt together like wax from black candles on an age-old satanic ritual. The production is warm and heavy, yet raw and filthy. All lyrics, art, layout, writing & recording was done by the band themselves, bringing back a punk D.I.Y. attitude the underground is missing nowadays.
Comes in a Gatefold cover with a large 18"x24" poster of the cover artwork and an old school Acid Witch Halloween die-cut decoration similar to the spooky die-cuts of the 60s, 70s and 80s.
"Candy Corn" vinyl (mustard/orange/white striped) limited to 1,000 copies.
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Expect no typical doom metal here eerie listeners, this album isn't just a bunch of recycled Black Sabbath riffs, Acid Witch have crafted their own sound that sounds like no other band now or from the past. Their influences melt together like wax from black candles on an age-old satanic ritual. The production is warm and heavy, yet raw and filthy. All lyrics, art, layout, writing & recording was done by the band themselves, bringing back a punk D.I.Y. attitude the underground is missing nowadays.
Comes in a Gatefold cover with a large 18"x24" poster of the cover artwork and an old school Acid Witch Halloween die-cut decoration similar to the spooky die-cuts of the 60s, 70s and 80s.
"Candy Corn" vinyl (mustard/orange/white striped) limited to 1,000 copies.
30 years of ASPHYX, 25 years of "The rack"! The double vinyl reissue features a bonus disc with cover versions of the complete "The rack" album by GRAVE, DESASTER, DESERTED FEAR, ENTRAILS, PURGATORY, DAN SWANÖ and many more! Limited to 500 silver copies in a gatefold sleeve plus poster!
MILKY WHITE VINYL LIMITED TO 250 COPIES.
Hailing from Tokyo, Japan - SELF DECONSTRUCTION describe themselves as "free-style Grindcore/PowerViolence". Think of a brutally insane tornado of tempo-changes, suicidal blast beats at outrageous speed and schizophrenic riffing, all topped by the vitriolic screams of the female frontman Kubine. In short: sick as fuck! "Wounds" is their 2016's album that originally came out on CD only in Japan, released by Break The Records. It consists of 23 bursts of sickness rarely lasting over 1 minute, most of them knocking you down in a few seconds!
Project with members of Morkobot.
Only those who know the ease of a cow while defecating can understand the genesis of the songs of Zolle.
Children of a natural path, direct, compact, subject to the force of gravity.
Impact safe with warm soul that does not end in the fall to the ground.
A blend of punishing, obscure and dissonant Death Metal!
Psychotomy are back with their sophomore album.
FFO: Immolation, Dead Congregation, Cruciamentum and Ulcerate.
WHITE MARBLE VINYL LIMITED TO 400 COPIES
Poland's Warsaw-based grindcore afficionados ANTIGAMA release their brand new mini-album "Depressant". The follow-up to ANTIGAMA's 2015 "The Insolent" was recorded and mixed in July/August 2017 at Warsaw's JNS Studio by the longtime band collaborator Paweł Grabowski. Then carefully edited & mastered by James Plotkin (O.L.D., PHANTOMSMASHER) at Plotkinworks. "Depressant" brings 7 songs of well executed progressive grindcore that is trademark of the Warsaw quartet!
Recommended for fans of NAPALM DEATH, PIG DESTROYER, BRUTAL TRUTH.
Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and more...
Psychedelic Riffsters Zippo are an unflagging example of band. Since 2004 they lead the pack of the Italian Stoner Rock and Heavy Psych movement.
In the long Scandinavian winter nights of the 1990s, the harshness of (melodic) death was combined with the icy attitude of black metal and created a suffocating darkness that has lasted until today. The soul of this musical fusion lives on in the passionate songwriting of THE SPIRIT, and with its determination and utter elegance »Sounds From The Vortex« evokes an atmosphere hailing right from the Scandinavian tombs.
The artistic handwriting behind the atmospheric cover is unmistakable though, as it comes from the Romanian metal artwork guru Costin Chioreanu.
A surreal and alienating combination of very slow Hawaiian lap-steel scores and elephantine sludge/doom riffs with compelling blues shades. It's as if Pink Floyd and Black Sabbath were jamming with Earth and Sleep on a Hawaiian beach at sunset.
Limited edition 300 copies.
Following the buzz of WEDGE's debut, the group now unveils their eagerly awaited follow-up "Killing Tongue" ...and it truly kills! Although also deeply rooted in the rock'n'roll of the late 60s & early 70s, this album clearly is a strong progression from its precursor, presenting a multicolored spectrum of sounds and more diverse songwriting. Power trio-untypical arrangements and instruments like electric sitar, clavinet and harpsichord among others are accompanying especially some of the new psychedelia soaked tunes. But of course you can expect plenty of good old fuzz guitar and Hammond organ driven material as well.
The second and slightly more intelligible of Carcass' early albums lays down the foundation for the classic "Necroticism ..." to follow while retaining all of the pure Grind Crushing Fury of the debut, essential!
