Severed Crotch – The Nature Of Entropy - CD

Fast Thrash/Grind/HC from Czech Republic

For 30 years now, Blockheads have set a course on the heart of original grindcore.
Call it old school, call it political, all in all, they sticked to the idea of criticizing and analyzing the world as it is: cold, oppressive, and bleak. Now it is time to release their sixth album: “Trip to the Void”.

Their sonic punishing blastbeat and trademark neck-breaking groove have never been sharper, refined on stage with the likes of Napalm Death, Carcass, or Mumakil, and condensed into the span of these 25tracks/28 minutes of sheer aggression.
With their darker work to date, Blockheads are back, uncompromising and straight to the point, as grindcore should always be.

Issued in a 6-panel Digipak with black tray on the rigth panel.
Silver CD housed in a slipcase. Comes with a tarot card Tarot card included.
New artwork (slipcase) crafted by Dehn Sora.
Audio content identical to the Trust No One Recordings version.

"Jalamanta was a life changing record for me. Its the record that launched my journey as Brant Bjork. Listening to the tapes 20 years later was amazing. Tony Mason and myself were transported back to that moment in time. Jalamanta was a first for both Tony and myself. My first record as a solo artist and his first record as an engineer. We didnt think twice about re-mixing it. With our combined experience over the years, we knew we could take Jalamanta to the place we always wanted it to go..and we did. Dig it."

- Brant Bjork

Mondo Generator are back!!! Eight years since the last record... this is a dream for all the fans of the band!
A mixture of speed rock, american punk and hardcore with the typical Oliveri style. You can hear the old school roots of Black Flag and Dead Kennedys with a pinch of heavy rock and sometimes shades of stoner.

You can feel the dust and the sand of the Californian desert mixed with the rotten smell of a dirty basement used as venue! The songwriting is never ordinary and keeps the listener alive for the duration of the entire album. The vocal melodies are always interesting and give the music its trademark sound. You can definitely hear the punk attitude of QOTSA band with whom Nick played for long time.

Cover art by Branca Studio.

Limited to 500 copies

The New Swedish Prog masters have transcribed the tale of an interstellar Galactic battle into a musical odyssey that supersedes anything you have heard to date !

Gods & Goddesses is the seventh solo album released from desert rock legend Brant Bjork.
It features a new band lineup, including Billy Cordell (ex-bassist of Yawning Man).
Today we would like to present you a brand new remastered version of this amazing record.

GOREGAST's 'Covered In Skin' EP originally released as 2-track 7"EP back in 2013 will be finally pressed on CD.
The MCD including a special unreleased bonus track, a coverversion of "Soulless" originally performed by GRAVE.
Totally rancid, dark, intense and catchy classic death metal rotten to the bone.

Mixed and mastered again by Andreas Hilbert (Golem), coverartwork by Dedy (Badic Art).

Goregast shows an awesome example of varied and independently metal of death.
Artwork by Badic Art (Devourment, Demonical, Skeletal Remains etc.)

Formed by Victor Love (Dope Stars Inc.) and Noras Blake (Spineflesh/Edenyzed), Epochate is a look at the eternal struggle generated by thought and power. Their debut album, Chronicles Of A Dying Era, is a mix of industrial rock with heavy and concrete orchestrations, cutting edge guitars and killer vocals. Delivering a sound that has yet to be explored, the concept album brings about an entirely new dimension of musical experience. Centering round the decline of mankind, Chronicles Of A Dying Era is a report of the attempts, defeats and victories of the human race through an age of wars, violence and arrogance. The strength of music, thoughts and ideals spawned a visually stunning 24 page booklet!

6th album by this swedish band leaded by Rogga Johansson from PAGANIZER/ PUTREVORE.
9 tracks of a heavy Death Metal that combines the rawness of bands like CARNAGE or GRAVE, with the catchiness or ENTOMBED and the great sense of melody of EDGE OF SANITY.

Solid black vinyl limited to 350 copies.
Complete early recordings collection (1994-1997) of New York's undisputed Death Metal legend! Discover the gut slashing roots of these masters of gore and brutality. A special mention goes to their demotape "Swollen heaps", often quoted as one of NYC's most classic and bone crushing demos in the genre, the pinnacle of an era when Brutal Death Metal was still totally straight in the face and not inflated by excess of triggering and utterly artificial productions. Groovy riffs with plenty of chug, crushing breakdowns and technical blasting severity...
Contents:
- Demo 1994
- "Swollen heaps" Demo 1995
- songs from the "Common ground" v.a. 1997

..compiled on a top sounding double LP housed in a high glossy gatefold sleeve!

2020 re-issue by Fallen Angel Productions.
Comes with a 12 pages booklet.
Includes Bonus CD with tracks taken from “Four More Years of Terror” Demo Version

This is classic MASTER to the core but while the music has the kind of instant drive and hunger we hadn't heard since their self-titled debut, it's really the heavy dose of bile displayed by Paul Speckmann here that makes it truly special.

Re-release of CBTs first full album, complete new artworks on 8 pages booklet + inlet and CD print.

What to talk about a milestone cult album from 2000?!

Black Vinyl

Remember when heavy rock bands wrote songs? In the early ‘70s, Grand Funk, Bang, and Deep Purple brought hooks and choruses to seriously weighty tunes.

In 2015, Portland, Oregon’s Holy Grove walks in the long footsteps of tradition, pitting soulful vocals, searing guitar solos, and swinging grooves into its own Bic-flicking dinosaur stomp.
After wowing NW audiences for several years, the band is now ready to unveil its self-titled debut—seven songs of blazing riffs, and cloud-piercing wails, with enough rhythmic heft to satisfy today’s doom-hungry audience.
Vidal’s lyrics of myth and fantasy coast on a massive flying carpet of guitar riffs, kept aloft by a pounding pulverizing rhythm section.