

Prog-influenced doom from Italy.
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Prog-influenced doom from Italy.
Bottomless’ self-titled debut album, first opus from the Italian band featuring members of Messa and Assumption.
BOTTOMLESS plays nothing but unadulterated Doom Metal in the vein of the ancient masters, a slow and fervent display of Heavy Metal and dusty riffs.
Also, the cover artwork lays bare the spirit of the olden days with a painting of Henri-Joseph Harpignies, French painter of the 19th Century also known as the ‘Michelangelo of trees’.
For fans of Black Sabbath, Pentagram, Saint Vitus, Trouble, The Obsessed
6-panel Digipak CD
RELEASE DATE: July 16, 2021
For nearly 25 years now, PALE DIVINE have been perfecting the proto-doom sound - rooted in the '70s, particularly Pentagram and Ozzy-era Black Sabbath but also Sir Lord Baltimore, Leafhound, and even very early Judas Priest - but predating so many cloying pretenders ever since. Not for them is this just another trendy bandwagon to jump on; PALE DIVINE truly LIVE this music.
The power-trio sound more energized than ever on Pale Divine. A veritable tour de force of everything that's been brewing in the band's cauldron lo these many years, Pale Divine explodes with thunder and swagger at every turn: from epic metal excursions to bluesy rockers, groove behemoths to graveyard laments, psychedelic swirl to straight-up crush, this album literally has it ALL!
“This is the limited edition jewel case CD edition with transparent orange tray. Later CD pressings will not come with the transparent orange tray.”
The long awaited second album is walking the path of putrefaction and soon ready to crawl into your mind.
The debut album „Summoning Black Gods“ from 2012 has built itself a monument in the scene as a ever flowing death metal milestone.
Götz Kühnemund (Deaf Forever/ex-Rock Hard) wrote in early 2013 about them: „Together with SULPHUR AEON and VENENUM they belongs to the top 3 Death Metal newcomer bands from Germany“
The new self-produced and recorded Album was mixed by guitarist/vocalist Laurent Teubl and mastered by Erkan Tatoglu at Midas'in Kulakligi Studios in Ankara (Turkey). Artwork by Misanthropic Art.
NECROPHAGIA are back to haunt you! The masters of death metal horror invite you to bang to the Sabbath on a coffin night, when the evil priest and the rat witch raise the dead among us!
NECROPHAGIA have generally taken another step back to a more straightforward approach. Although their latest full-length 'Deathtrip 69' (2011) was generally met with roaring applause, the band decided to reduce the atmospheric samples to the necessary, while focusing on songwriting and catchiness to deliver more old school death metal with a blasphemous groove and killing hooks.
The time has come to light those black candles, chant the incantations and watch the 'WhiteWorm Cathedral' rise! Amen, Brother Killjoy!
FLOOR are back with ‘Oblation’. Adding a dose of doom and a dash of drone, this new opus perfectly encapsulates FLOOR’s trademark desert rock feeling of shimmering heat, the pound and stomp of heavy engines, and a burning taste of diesel in the air. CONVERGE guitarist Kurt Ballou mixed the album at GodCity Studios (TORCHE, KVELERTAK, HIGH ON FIRE) and the mastering was done by Alan Douches (BARONESS, BLACK TUSK, MOTÖRHEAD). Lean back, crank up and sacrifice to the gods of stoner rock with this mighty ‘Oblation’.
Official re-issue of Colombian INTERNAL SUFFERING's now classic 3rd full length album!
A highly regarded Brutal Death Metal masterpiece produced by Erik Rutan at his very own Mana Recording Studios!
Includes 4 bonus tracks, revamped layout and full mastering!
A legendary extreme Death Metal opus not to be missed by all true fans of the genre! Originally album was released by Displeased Records in 2004.
For fans of CANNIBAL CORPSE, SUFFOCATION, VITAL REMAINS, INCANTATION, ORIGIN and many others.
Re-release includes:
- new designed 8-page booklet + Pit-Art CD
- 4 bonus tracks
- all remastered in 2018
Blackened Sludge from Finland vs Stoner Doom from Russia
Radien began its descent early 2014. The band draws creativity from the depths of the world and the mind, balancing between crushing heaviness and ethereal atmospheres. This Helsinki-based band from Finland vows in the name of serious amplifier worship and offer their blackened sludge with intensity and integrity.
Founded in January 2019, Bend the Future is a progressive rock band based in Grenoble, France. Identified generally by their odd-time-scaled tunes, they incorporate elements of '70s prog rock, jazz, funk along with Eastern Europe music in their sound.
During the last days of summer in Little Big Studios, Grenoble, they recorded their debut album, Pendellösung.
Pendellösung tells the story of a hermit in a secluded forest who is a pilgrim in his own memories, memories which are recorded in his writings addressed to an unnamed loved one.
The album explores the concepts of isolation, yearning, confrontation, and awakening through extended-length tunes blended with inventive musicality and a wide range of emotional twists.
The french duo comes back with a new album, Modern Rituals, plunging deeper into the urban blend of noise and sludge already settled on their previous release, Ville Morgue.
This new record expresses all their skepticism and unease towards a society where sarcasm and mediocrity became criterias of appreciation if not values to be defended at all cost. A society that constantly and repeatedly broadcasts its own decay, drowning masses in a sea of ignorance and ready-made reflections.
Modern Rituals marks on a new step in Carne’s methodical research of more darkness, loudness and sombre psychedelism.
ound Effect Records presents "Natt o Dag", Me and My Kites brand new studio album!
"Natt o Dag" is possibly the Swedish collective's best so far. Darker, moodier and filled with some irresistible pop-hooks, "Nat o Dag" is destined to become a modern psychedelic classic.
Me and My Kites is a Swedish hippie pop group, heavily influenced by the flourishing psychedelic movement of the sixties, with a touch of folk music. It’s a bit of a collective, with a solid core of eight people that has been the live band in the last years. Since the start in 2012 they’ve released two albums, this being the third one. Natt o Dag takes you on an adventure a bit darker than the earlier Me and My Kites’ records.
The dutchest split in 2020 - no live shit - no unreleased recordings found - no crappy rehearsal sounds - no re-release stuff
... just new songs of: RECTAL SMEGMA, CLITEATER & LAST DAYS OF HUMANITY
This camel is certainly not a lone voice in the wilderness. Especially since LONELY KAMEL indeed sound like a desert, but in truth come from Norway. And obviously traditional Hard Rock can be produced quite exquisitely between fjords and endless forests, which sound nice, meaty and dry. On their fourth album the Norwegians act in the tension between Hard Rock from the seventies, Stoner Rock, Blues, Psychedelic and a dash of Doom.
Nine tracks with everything the genre has to offer: from the rough, punky title track, which has a certain punk attitude over extended jams to compact four-minute earwigs. And thus is clear: LONELY KAMEL clearly belong to the spearhead of the European Rocker scene.
Sweden masters of thrashing grindcore are back again with a new EP of 13 batshit crazy new tracks! 11 Live tracks included as bonus as well!
Formed in Växjö in 1992, Birdflesh is one of the craziest and long lasting grindcore acts around. Their take on grindcore is filled with strong thrashy influences, wacky lyrics and a funny atmosphere overall. Over the years the band released a huge amount of music, consisting in 4 full lenght albums and countless Demos, Splits and EPs, but being so prolific has never been an issue for Birdflesh as their material was, and is, always above the bar.
There is nothing in this world like Birdflesh!
For fans of Macabre, Impetigo, Ghoul, Repulsion.
Bones Brigade Presents A Musical Propaganda For Sociologic Warfare
"Bad Trip Exorcism", released in spring 2019, is the debut album of the German one-man band Crypt Witch. The creator of this idea - Eugen Kohl - is already known for his talent and versatility. His current projects include: Donarhall, Sinister Downfall, Death Carrier, Hexengrab, Nihilisticon, Urschmerz, Dark Fields and others.
This time Eugen showed his passion for stoner doom by creating instrumental and characteristic stoner compositions interwoven with heavy, fuzzy riffs, hypnotic motifs and melodic passages. Eugen completely avoids singing and gives each listener the opportunity to dive into the world of magic and perform their own "Bad Trip Exorcism".
I, Captain is all about simplicity in the making of music and complexity in translating it to our audience. This was our main driving force writing the music for the album “Tiid”. The album title is a term found in the ostrobothnian dialect of Swedish that, depending on context, can mean both time and space. The lyrical content is divided into English and Swedish sections, wherever which language can deliver the meaning we are after the best. Within this album, we delve into the psychological and mental hardships life throws at you – mostly consisting of negativity in its absolute form delivered by empowering music, more or less forcing a dissonance on the listener if you choose to take it all in. Beauty is most often surrounded by things which we cannot understand.
22 years after their first release and 10 years after their last album, Nebula are back.
And you’re thinking “Holy shit!” right now, you pretty much nailed it. Holy Shit is Nebula’s first LP since 2009’s Heavy Psych, and it quickly puts to rest the question that’s loomed since guitarist/vocalist Eddie Glass, bassist Tom Davies and drummer Michael Amster announced the band’s reformation in 2017.
Nebula are still Nebula.