Bloody Phoenix / System Shit – Bloody Phoenix / Punks Eat Punx - 7"

Canadian band Aedh's debut album. Formed in the black womb of Annwn between April of MMXII & March of MMXV, Au-delà des Cendres contains 4 tracks invoking the bloody resurgence of Lugh against the forces of degeneracy by way of atmospheric Black Metal.
To awaken the archetypes buried deep within our hearts, and return to the source of our tradition.

Eight long years after their debut ‘Bacteria’, guineapig is back with ‘PARASITE’.

Their new material is absolutely cutting-edge and forward-thinking without ever losing sight of the roots of the band, with a strong songwriting that fluctuates between abysmal tunings, Death Metal mid-tempos and ripping breakdowns.

‘PARASITE’ will redefine the very concept of Goregrind.

6-Panel Digipak CD with 16-page booklet

RELEASE DATE: JUNE 10, 2022

This item is a pre-order expected to ship in June 2022
Note : if your order includes other items, it will be dispatched when the item with the latest release date is available.

22 years after their first release and 10 years after their last album, Nebula are back.

And you’re thinking “Holy shit!” right now, you pretty much nailed it. Holy Shit is Nebula’s first LP since 2009’s Heavy Psych, and it quickly puts to rest the question that’s loomed since guitarist/vocalist Eddie Glass, bassist Tom Davies and drummer Michael Amster announced the band’s reformation in 2017.

Nebula are still Nebula.

Formed during the dark days of 1998 in Lahti, Finland, EVIL ANGEL finally burst upon the international metal underground in 2002 with the Dark Forces of Hell demo. For the next number of years, the band would continue to perfect its outbreak-of-evil style of blackthrashing metal across more demos, splits, and the aptly titled Metal Onslaught EP. That last-named record was crucial in pointing the direction forward for EVIL ANGEL: each new recording brought them down into deeper depths of primitivism whilst underlining their connection to the unyielding strength of true METAL.

You can almost smell the weed, the blood, and the sweat as DUEL Live At The Electric Church takes you on a tripped out journey to an old abandoned Spanish church turned DIY rock venue in East Austin, Texas USA.

The front door is locked....The entrance is around the backside of the old building where rowdy metalheads and stoners huddle around a small bonfire made mostly of trash.

Through the walls you can hear the thumping of a full on beer soaked high energy rock show.
Swirling psychedelic tones breaking into blistering riffs, and the relentless chugging and smashing as DUEL deals one sonically punishing blow after another.

Yellow Cover / Yellow Vinyl
Green Cover / Green Vinyl

"Magna est vis Siugnah" is not only the long-awaited follow-up to Uppsala's ANGUISH 2014 masterpiece ’Mountain’, but also a kind of a ”back to the roots” perspective, a look back in time, not letting the ultimate goal be forgotten.

For fans of: Candlemass, Trouble, Celtic Frost

Italian Grindcore Re-released on 12" vinyl (400 copies on black vinyl; 100 copies on blood red vinyl) in 2011. Co-produced by Despise The Sun Records, Zas Autoproduzioni, Jennifer Grind Records, Death Crush Rec0rds and Blasphemous Art Productions.

This came out from a common idea of GTB and Alberto the Crippler after receiving shitloads of diy demos including Cripple Bastards’ covers.
We started to make a selection of the best ones and after talking to Curby/Obscene, the project of a celebrative comp. found its way.
This compilation has been really successful and we still agree on saying that most bands featured played the songs better than CB themselves.

Includes CB covers from BIRDFLESH, ROT, TOTAL FUCKING DESTRUCTION, FINAL EXIT, GRIDE, DENAK, & more.

One of the most morbid and bloodiest death metal bands from Germany crawls out of his tomb and after 1.5 years of abstinence comes back with a almost half-hour new mini album.
The title of this new masterpiece is 'ABATTOIR'. And that's exactly what the songs on the album sound like: bloody, creeping, aggressive and murderously tight.
SLAUGHTERDAY presents 4 brand new songs, which show a clear development of the band, without losing their style and their own character. In addition, there are 2 cover versions, one song from the masters of Doom Metal TROUBLE and another track from the early years of finnish AMORPHIS.

Nebula's first non-EP, full-length release, To the Center is another retro-psychedelic heavy rock platter, long on stripped-down riff muscle and surprisingly technically adept guitar jams. The results sometimes meander, which probably isn't of much consequence if this brand of metal is your bag, since this is what you'd expect in this perception-expanding context. What matters more than tightly structured songs are riffs and atmosphere, and both of those are present in abundance.

"Bad Trip Exorcism", released in spring 2019, is the debut album of the German one-man band Crypt Witch. The creator of this idea - Eugen Kohl - is already known for his talent and versatility. His current projects include: Donarhall, Sinister Downfall, Death Carrier, Hexengrab, Nihilisticon, Urschmerz, Dark Fields and others.
This time Eugen showed his passion for stoner doom by creating instrumental and characteristic stoner compositions interwoven with heavy, fuzzy riffs, hypnotic motifs and melodic passages. Eugen completely avoids singing and gives each listener the opportunity to dive into the world of magic and perform their own "Bad Trip Exorcism".

After a long year of recordings, shows and debaucherous behaviour, Sydney psychedelic quartet Hibiscus Biscuit have just launched their debut album release: 'Reflection of Mine'. Hibiscus Biscuit’s brand of psychedelic rock cavorts about between driving syncopated breakdowns, melancholic lullabies and tight progressive groove sections.
A few years after the bands chance conception in Newtown’s Camperdown Park, 'Reflection of Mine' was conceived in the band's new home studio in the Blue Mountains. Cue a depraved 6 months avoiding sunlight, and they emerge with their debut record and a blistering caffeine addiction. Featuring mixing by Liam Judson and mastering by Nick Franklin, their debut is a swirling blend of psychedelic goodness.

We’re stoked to announce the release of ‘I Cannibali’ (aka ‘The Cannibals’ / ‘The Year Of The Cannibals’), score to the dystopic 1970’s movie by Liliana Cavani, composed and orchestrated by Maestro Ennio Morricone and conducted by Bruno Nicolai.
Available for the first time ever on vinyl, the opus features vocal apprerances of Don Powell and Audrey Nohra Stainton as well as the glorious choir I Cantori Moderni di Alessandroni, also including alternate takes and previously unreleased tracks.

Mastered for vinyl by Carlo Altobelli at Toxic Basement Studio, pressed on double 180g LP in two color variants and housed in an elegant gatefold jacket with captivating artwork from Basthard Design.

RELEASE DATE: DECEMBER 13, 2019

Remastered edition with two bonus tracks.