

Debut album of the Ukrainian Shamanic Stoner Doom band.
"This is a package everyone can love, a 30-minute stoner/doom epic divided into 5 parts, each with an equally great taste. Get this now!"
(Stonerobixxx)
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Debut album of the Ukrainian Shamanic Stoner Doom band.
"This is a package everyone can love, a 30-minute stoner/doom epic divided into 5 parts, each with an equally great taste. Get this now!"
(Stonerobixxx)
It’s time to wipe off some dust from this little gem from the Italian Stoner Rock underground, for too long disappeared from the radars.
ZIPPO debut album ‘Ode To Maximum’ was recorded in October 2005, exactly 13 years ago, and came out self-released in early 2006, suddenly received with sheer enthusiasm by the heavy music press unanimously.
This release comes out with a pachydermic new artwork by Davide Mancini / DARTWORKS, re-mastered by Tony Reed (Mos Generator, Stone Axe) and featuring two bonus tracks.
RELEASE DATE 02.11.2018
It’s time to wipe off some dust from this little gem from the Italian Stoner Rock underground, for too long disappeared from the radars.
ZIPPO debut album ‘Ode To Maximum’ was recorded in October 2005, exactly 13 years ago, and came out self-released in early 2006, suddenly received with sheer enthusiasm by the heavy music press unanimously.
This release comes out with a pachydermic new artwork by DARTWORKS, re-mastered by Tony Reed(Mos Generator, Stone Axe) and featuring two bonus tracks.
Available in 3 color variants:
- "Omega Black" limited to 300 copies
- "Desert Gold" limited to 100 copies
- "Tsunami Dust - Transparent Yellow with Black Marbled" limited to 100 copies. Spikerot.com Exclusive
RELEASE DATE: 02.11.2018
A hammered 4-stroke beat like a twin cylinder engine running on idle, a roaring guitar riff revving up the rpms of the iron-built motorcycle-inspired band, then the fresh and insisting breeze of a Farfisa organ whispering 'let's ride' and a heavy bass greasing up the reliable crank and rods of that authentic rock'n'roll machine, and there goes, ladies and gents, the mighty Lords Of Altamont combo!
Riding hard on backyard-built, loud pipes and rigid frame undestructible raw choppers, the band left their garage enlivened by the year of 1969, right at the crossroads of the Summer of Love and the birth of punk rock.
‘Dave’s Dungeon’ boldly follows Avon’s first LP ‘Mad Marco’ with a marked progression, rawness, defiance and certainly packs a punch!
Feat. Alfredo Hernandex (Kyuss, Queens Of The Stone Age) on drums.
The fourth full-length album by the Brazilian Progressive/Power Metal band.
Mixing the rhythms of world music with the virtuosity of Power Metal creates a potent witches' brew of sounds on Shaman's "Origins". You'll get plenty of speedy solos and soaring falsettos, that are often accompanied by a sense of rhythm - sometimes bordering on outright funk - that sets this Brazilian band apart from other Power Metal acts.
BxPx are back again, billowing out barrels of grind that will pollute your mind like a 6-ft bong hit of From Enslavement to Obliteration. As with their debut LP, BxPx continue the tradition of no-thrills grindcore, keeping it direct and brutal not unlike their earlier band EXCRUCIATING TERROR.
73 plus minutes of brain-melting space rock on one CD recorded at the 2009 Roadburn Festival.
Comes with a 4" Farflung sticker!
Tracks: Breach of Eye, the Way the Sky Is, Endless Drifting Wreck, Like it has Never Been, the Day of Saint Anthony's Fire, Unborn Planet, Those Clouds are Solid, Stella Volo, Silver Shrooms, See You Up There, Landing on Cydonia, R-Complex.
The In Disgust side is 11 songs of violent HC grind and ghetto dislocation. Raw like the ugliness of real life, ID build it up and barrel through these tracks with a blasting, no bullshit pace, and a heaviness you expect from West Coast Powerviolence.
PLF unleash track after track of relentless, thrashing grindcore. Tons of circle-pitting thrash metal parts and ultra tight stops punctuate the endless killing of this Gulf Coast Grind machine. Top notch recording, and cover art by Daniel Shaw (Insect Warfare, War Master).
Originally planned for release in 2010, CLITGORE’s ‘Stories of A Bloody Clit’ demo was set on hold while the Romanian Powerhouse finish writing what became their long-awaited debut album, “The Final Cuntdown” (2014). Today, CLITGORE revisits the past and uncovers what is now their latest groovy, romance-fueled offering ‘Stories of A Bloody Clit’.
Take a seat and get ready for a bloody good time. Featuring album art by illustrator Ardha Lepa (who’s worked with the likes of Arkaik, Malignancy, Sinister, and more), ‘Stories of A Bloody Clit’ was recorded between 2010-2012 and features guest appearance by members of Lividity, Mixomatosis, Ultimo Mondo Canibale, and more.
Two of the underground sickest combos team up for an insane split 7" release.
Vultures is an EP of the swedish stoner band Dozer.
Recorded in 2004-2005 at Rockhouse Studios in Borlänge, these six tracks were used as pre-production demos for what would later become the fourth Dozer album, 2005’s Through the Eyes of Heathens.
The album is now released for the first time on vinyl and digipak with a very special unreleased bonus track, a cover of the Sunride song Vinegar Fly.
Vultures is a real heavy-stoner explosion, something that only Dozer can provide.
The amazing artwork is made by Lowrider leader Peder Bergstrand.
Chile's Capilla Ardiente are the brainchild of bassist Claudio Botarro Neira and vocalist Felipe Plaza Kutzbach; the current line-up is completed by Julio Borquez (rhythm, lead & acoustic guitars), Igor Leiva (rhythm guitar) and Francisco Aguirre (drums). Botarro and Plaza are also playing with fellow doomsters (and High Roller recording artists) Procession. However, there is a fundamental difference between Capilla Ardiente and Procession, neither of which is a mere side project but both are full-blown bands.
Capilla Ardiente's latest album "The Siege" consists of four epic compositions following 2014's debut album "Bravery, Truth And The Endless Darkness".
Here is the long overdue full length; Dehumanizer, contained in this bloated grotesquery of punk is 21 minutes of the meanest mince slop, gutter riffs and choleric vocals; this sewer of music overpopulated by perversion, sonic torture and other horrors. Pathologically speaking Dehumanizer is the apex of the current mince-gore progression/regression/corruption Archagathus have been undergoing lately and as such Dehumanizer and the last half a dozen splits or so all bring strong parallels to kinsmen and split partners Grotesque Organ Defilement and Hypermesis, but most importantly the band have still ultimately kept their classic archagathus sense of identity/idiocy.
Furious flesh ripping Death Metal from the land of rotting sun, Japan. INVICTUS is a fresh and young band from the moloch of Nagano-City.
The 3 piece band presents their first full length album named "The Catacombs of Fear".
Previous releases are a split CD with Fecundation and a 2-Song MCD "At The Gate of Crypts". Responsible for the great artwork is nobody less than the Spanish artist Juanjo Castellano.
Recommended for fans of: Carnage, General Surgery, Nihilist, Malevolent Creation, Gorefest, Skeletal Remains
3 years are gone since Tod & Teufel, the last ARROGANZ album came out.
Now the time has come to unleash a brandnew beast, entitled simply "PRIMITIV".
But no, it doesn't sound primitive or simple, here waiting 6 new songs and with no doubt ARROGANZ' best written material so far.
It would be just to easy to call it Death or blackened Death Metal...it's more than this...
After 5 years of their debut album, something unreleased is coming! The Heavy Stoner Desert Rock trio from Indio, California is ready to give you a unique new piece of music composed by 2 unreleased killer songs, 2 covers: one of Black Sabbath and one of Billy Squire plus a bunch of out takes and live songs for a running time of about 30 minutes of music. The amazing artwork is made by Solo Macello the Italian illustrator that take care of a lot of the HPS Records designs. The band (ex-Unida) repeat the success of the old formula, with Mike Cancino great drumming and the wall of guitar sound of Arthur Seay, that is also the producer of the album, Joe More finalize the job with his wonderful vocals a-la John Garcia.