Emrevoid - Riverso - CD-Digi

Philadelphia Heavy Psych quartet Ecstatic Vision (regarded as the second coming of vintage Hawkwind) returns with their new album “For the Masses!” After bursting onto the scene with their 2015 tribal-psychedelic LP, Sonic Praise, touring the USA with Yob and Uncle Acid & The Deadbeats, crushing Roadburn, Ecstatic Vision have pulled themselves out of the muck to deliver their finest album to date.
This album is the closest the band has gotten to achieving the energy of their untouchable live shows on tape.
"For the Masses" blends Tripped-out Synth, Semi-Catatonic Desert driving tunes, Afro-tribal Funkadelic Vibes, Troglodyte-Detroit Rock grooves, Acid Freak-Outs, Ethereal Psychedelic Hymns, and Mind-Altering Kraut Rock into Ecstatic Vision's outsider take on modern music.

SMUT is a sick as fuck gory death metal band with a good dose of grind!
"Slop" is an amazing album, sleazy and disgusting sicko shit, features members of BLOOD FREAK, FRIGHTMARE, FORNICATOR, LORD GORE etc. "SMUT - Slop" is exactly in the same vein, so if you like one of these bands, you will love SMUT!
Killer grinding gory death metal!
Get your fucking barf bag!

“Ravenous Solemnity”, the 2nd full-length album succeeding to 2012’s critically and fan acclaimed “Night Sky Transform”, marks a milestone for the band.

The addition behind the drum kit of John Votsis, one the most talented and dedicated musicians of the local Greek scene, has been instrumental in making of this dense, 43-minute-long odyssey Dephosphorus’ most intense and majestic effort to date.

Illustrated once again with stunning artwork by analog visionaries and friends Viral Graphics, packaged as a glorious gatefold double LP pressed on 180g heavy wax by the good care of the band’s allies and vinyl specialists 7 Degrees Records in cooperation with Handshake Inc.,“Ravenous Solemnity” is destined to be a classic gem in any extreme audiophile’s record collection.

Australian noisy psych project LIGHT PILLARS consisting of Toby – Guitars (Hotel Wrecking City Traders) and Andrew - Drums (Comacozer) came together in June 2019 at Cellar Sessions Studios in Melbourne for an improved jam session. Both bands having played together previously and after some ideas and banter being thrown around the two decided to finally get together and see what the cosmos can produce and this release debut self-titled release resulting in 4 tracks of noisy dark heavy instrumental psych rock. Recorded in one session with Max behind the recording desk and mastered by Kent Stump (Crystal Clear Sound Studios, Dallas, Texas USA) and amazing artwork by Dora Wednesday, this is one journey taking diverse release.

Drawing as deep from the annals of extreme metal as from the gothic Americana of Colorado, WAYFARER tells their tale with dust laden riffing, fierce rhythms, harsh bellows and broken song. Shades of biting black metal carry seamlessly along the paths blazed by Denver Sound folk and ageless cinematic grit - pulling the listener through arcs of high adventure and bleak revelation.
The album comes in a Cardboard sleeve.

Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and more...

"This album is a collaborative effort and the sum of its parts. The basic riffs and song structures were done by myself and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg and Alain Johannes make this record what it is.
There was never a discussion of what kind of music we wanted to make.
But if I had to describe it there are elements of Soundgarden, Pink Floyd, Yawning Man and Fu Manchu."

Bob Balch of Fu Manchu

Black Vinyl
Includes CD and download code

Uk's Sons of Alpha Centauri return for their second full-length album – an epic introspective journey of abrasive and ambient progressive electronic alt rock entitled Continuum.
Continuum is wrought with dark anthems and intense textures, introspective interludes with tidal waves of distortion. It is awash with soaring melodies and a deep underpinning of the darker side of light.

ENDSTILLE unleash a relentless assault of its signature, high-impact black metal in the form of its new album 'Kapitulation 2013'.
The long-running German metal powerhouse give no quarter, as guitars cut like chainsaws, drums blast relentlessly, and vocals spew torrents of black bile thick with malice. Each track washes over the listener like a relentless black wave of hostility, leaving scorched earth in its wake.
'Kapitulation 2013' is true black metal in extremis, and an ugly black bruise blossoming on the manicured face of modern metal.

Recommended if You Like: MARDUK, DARK FUNERAL, TSJUDER, KOLDBRANN, GORGOROTH.

While it is not entirely wrong to still name Keitzer “the German Misery Index”, the band has ultimately established its very own niche with its latest effort.
“Where the Light Ends” sees the quintet effortlessly blasting a way through death metal, hardcore and crust that rips your head off as rigorously as Christian Silva Chaco has expressed himself in his lyrics.Traditionally straight and fast passages get combined with a certain melodicism that points towards early 90s Scandinavia, yet Keitzer not once lose any of the gall that made them the force of nature they are on stage.

Having gone strong for 20 years now, it is fair to say that Keitzer have reached a new plateau both musically and conceptionally!

"Check this shit out, ffo dbeat sludge doom occulty shit? I dunno but it's ace"

Band Edition
Limited to 150 copies
Single sleeve w/ 3mm spine
Black flood inside Hot foil stamping on the cover
Black polylined innersleeve
Includes bandcamp download code
Housed in a PVC sleeve

Comes on Blood Red w/ Black Splatter 12" vinyl

DEAD - IN THE BONDAGE OF VICE
The classic album from Germany’s Grinding Sleaze Masters available for the first time on vinyl!

Revisited artwork by Basthard Design
Remastered for vinyl by Carlo Altobelli at Toxic Basement Studio

Limited to 500 copies housed in a deluxe gatefold sleeve, available in two color variants:
- BAG OF FUCK: Ltd to 100 handnumbered copies on Gold/Black Aside/Bside Vinyl (Spikerot Exclusive)
- BORDERLINE BLACK: Ltd to 400 copies on Black Vinyl

For fans of: Carcass, Autopsy, Pungent Stench

RELEASE DATE: 15.10.2021

It was only two years after their debut The Morning Never Came (2003) that the Finnish act were ready to show it was a matter of time they were to be considered the next big name in the doom death scene.
Top 10 in Finland’s Top 40 chart and nominated by the Finnish Metal Awards for best cover art and best band, 2005 sees Swallow The Sun and the sophomore album Ghosts Of Loss crowned with success before moving to an even more creative and triumphant period.

Jewelcase CD

High Reeper is back with their second release Higher Reeper and they aren’t fucking around. The sound and smell of leather, weed and death now has a hint of Campari and cocaine to color all eight tracks. With the addition of their new drummer Justin Di Pinto, High Reeper has managed to focus their sound and expand it at the same time. The record is darker and heavier than their first offering with guitars that crush you like a tank and lyrics that paint a picture of the world nearing its end.

RELEASE DATE: March 22, 2019

Long sought-after debut demo album by Norway’s Undisputed Kings of Slam, KRAANIUM. ‘No Respect for the Dead’ is the bands 2002 debut. The album featured 13 tracks of groove driven death metal. Before the bands evolution into the “Slam” genre, NRFTD was inspired by all things horror, while also being influenced by the likes of early Dying Fetus, Hemdale, Impetigo, and more.

Album art was once again made by Andreas Christanetoff of Armaada Art, who did a great job capturing the essence of the original demo art, as well as brought back to life the original Kraanium logo. This assured us capturing the glory of what NRFTD set out to be.