Intaglio - Инталия (Intaglio) - CD

While it is not entirely wrong to still name Keitzer “the German Misery Index”, the band has ultimately established its very own niche with its latest effort.
“Where the Light Ends” sees the quintet effortlessly blasting a way through death metal, hardcore and crust that rips your head off as rigorously as Christian Silva Chaco has expressed himself in his lyrics.Traditionally straight and fast passages get combined with a certain melodicism that points towards early 90s Scandinavia, yet Keitzer not once lose any of the gall that made them the force of nature they are on stage.

Having gone strong for 20 years now, it is fair to say that Keitzer have reached a new plateau both musically and conceptionally!

Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and more...

Almost 20 years on the grindcore scene, 5 full length albums and countless splits, the American Noisear will again knock on your door to wreck havoc with 8 fast, aggressive tracks! The Japanese Flagitious Idiosyncrasy In The Dilapidation have been around for 15 years. They’ve recorded 2 full length albums and a few splits. Their performance at Obscene Extreme 2018 proved they’re in great shape and this release will only confirm that! 5 brand new tracks and great artwork made by Makiko (the band’s singer).

The discography collection of splits and EPS, entitled "Pulling Out The Nails" features 30 tracks, and includes ALL non-album material from 2001-2008, including the Overthrow and Dissent EPs, as well as the splits with Structure of Lies, Commit Suicide, Mumakil, and Bathtub Shitter, the Hang em' High 7", live tracks, bonus covers etc.

The compilation was remastered by Scott Hull last year. No More words needed.

It comes with a noble Gatefoldcover on 300g and heavyweight 180g vinyl.

Combining elements of horror-film soundtracks, psychedelic doom, and atmospheric noise, INSECT ARK’s intensely visual music weaves interludes of fragile beauty with crushing passages of swirling doom, spinning like a backwards fever dream. “Marrow Hymns” is a wordless song, a hypnotic voice that screams and whispers from a place deep in the furrows, from the bones, from the blood. Defying easy categorization.

SIGNED BY DANA SCHECHTER
INCLUDING CUSTOM MADE, ONE-OF-A-KIND DRAWING BY DANA SCHECHTER

ULTRA LIMITED ITEM!
LIMITED TO 30 COPIES WORLDWIDE

• Magenta Marbled Vinyl
• Gatefold sleeve
• Download card

"A collaborative post metal colossus and the second part of the journey that started with Continuum.  This unique release has been mixed by industrial metal icon Justin K Broadrick (Napalm Death, Godflesh & Jesu) and ambient gloom metal maestro James Plotkin. ‘Buried Memories’ contains two new 10 minute slabs of eclectic ambient progressive rock and a series of interpretative remixes of the theme tracks by both Broadrick and Plotkin." [The Obelisk]

LAMBS is a four-man band from Italy who play crushing misanthropic sludge crust.
The sound flees from birth rather than death, in a limbo between salvation and complete decay which resonates roughly throughout your vertebrae.
"Betrayed from Birth" is highly recommended for fans of Gaza, Cursed, Ancst, Celeste, Watain etc.

limited edition of 580 crystal clear copies with a beautiful b-side etching
heavy 380g cover, reverse board print
black innersleeve and insert

For the first time on vinyl Devangelic’s debut album, “RESURRECTION DENIED”!
9 tracks of furious, iconoclastic, death metal mayhem!

RELEASE DATE: 30.07.2018

12" single-sided Vinyl including Download-code & lyric sheet
Black Vinyl limited to 200 copies
The dutchest split in 2020 - no live shit - no unreleased recordings found - no crappy rehearsal sounds - no re-release stuff

... just new songs of: RECTAL SMEGMA, CLITEATER & LAST DAYS OF HUMANITY

Are they glam? Are they metal? Stoner rock? Psych? Prog? For over a decade, people have been trying to pin down Glitter Wizard but this San Francisco band refuses to be pigeonholed. Pulling influences from the entire heavy rock canon, G Wiz combines scorching guitar riffs and spaced out synths to creates something familiar, yet entirely new and weird. Their latest album, Opera Villains, brings the heat that we've come to expect from the band but adds a layer of dramatism that we haven't heard before.

Oldschool veterans GUT are back with a bang!
For years it was quiet about GUT, the last album "The Cumback" is already 14 years old and now GUT are back with their new album "Disciples of Smut".

The sound has been massively developed. "Disciples of Smut" is a mixture of Goregrind, Bestial Black Metal, Death Metal, Doom, Noise and Drone.
Faster, slower, harder, nastier, more atmospheric and more metallic than anything you've ever known from GUT.
The following guest vocalists can be heard on the album to provide further variety: Martin Schirenc from PUNGENT STENCH, Patrick Klopf from DISHARMONIC ORCHESTRA and Martin Matoušek from GUTALAX.

A new classic and a milestone in the sicko genre!

-180g double vinyl
-Heavy thick cardboard, gatefold cover
-Matt, special print gatefold finish
-Download code

Witchkiss "The Austere Curtains of Our Eyes" LP

'Clear Transparent with Aqua Blue Smoke'

A blend of punishing, obscure and dissonant Death Metal! 

Psychotomy are back with their sophomore album.

FFO: Immolation, Dead Congregation, Cruciamentum and Ulcerate.

The music of Rutthna (Sweden) is made with the main focus on the atmosphere and feeling it gives the creator and hopefully also some listeners. Musical inspiration comes from the primitive side of black/metal.

By now, CULTES DES GHOULES should need no introduction. For the past decade and a half, this mysterious Polish entity has patiently crafted one of the most singular sounds in the black metal underground.

Simply, there's no other band around that sounds like CULTES DES GHOULES.

Like the blackest of magick, willed into being through both inmutable will and unselfconscious abandon, Sinister opens up - WIDELY - and again stretches sulfur and brimstone to their breaking point, with four of the five tracks topping ten minutes (or more) in length. Within, largely tribal/ritualistic drumming guides this Sinister spelunk into supernatural horrors yet witnessed.
It's not "weird" black metal because it tries to be - it just IS, like always.