Agathocles / G.O.D. – Split - CD

One of the most important Psych - Acid Rock albums of the new millenium. The Dzjenghis Khan self-titled debut album was released in 2007 by the Dutch indipendent label Motorwolf. The San Francisco based band Dzjenghis Khan featured bassist Carson Binks (also in Wild Eyes and Saviours), drummer Tommy Tomson and guitarist Lane Rider. This record reflects the musical scene of that era and it's still a raw acid rock pearl! Heavy Psych Sounds Records is so proud to bring back to the current audience a piece of real Acid Rock. Dzjenghis Khan was one of the first bands to bring back the “psych sound”, in a time where there was not real audience, we can say they've been pioneers after the pioneers!

Release date: MArch 15, 2019

OREYEON'S new album ODE TO OBLIVION comes after two years of experimental sessions in their little studio recording nastled between the sea and the mountains in the north west of italy. This new full lenght crosses transversely all member's musical influences and takes shape leaving behind and definitely going beyond the rules that mostly describe the classical stonerrock genre. Just from the first track, a strong sense of nothingness blends into a long unsettling travel through a microcosm full of colours while black shapes lead the traveller into a spiral of nihilistic lyrics, title tracks and monolithic riffs all at the same time .

Blackened Sludge from Finland vs Stoner Doom from Russia

Radien began its descent early 2014. The band draws creativity from the depths of the world and the mind, balancing between crushing heaviness and ethereal atmospheres. This Helsinki-based band from Finland vows in the name of serious amplifier worship and offer their blackened sludge with intensity and integrity.

Poland’s grandmasters of radical grindcore, ANTIGAMA, have completed the seventh full-length installation of their cutting edge arsenal, “The Insolent”.

Seeing the band further along their ongoing path of progression, “The Insolent” contains another intriguing alloy of their futuristic grind savagery heavily diversified with cosmic exploration and harsh dissonance through ten new tracks of unorthodox, rapid forward-thinking metal.

Engineered and mixed by Pawel Grabowski and the band, mastered by Scott Hull (Pig Destroyer, Agoraphobic Nosebleed), the album features a very special guest appearance of the legend of Polish electronic music scene, Władysław “Gudonis” Komendarek, and bears cover art designed by Bartek Rogalewicz.

HATE ETERNAL's first new full-length in four years doubles down on their patented, high-velocity assault of dizzying ferocity combined with wide-range dynamics, outstanding songwriting and skull-crushing brutality.
HATE ETERNAL deliver extreme music at the highest level. There can be no doubt that 'Infernus' will be regarded by many as the best death metal record of 2015!

Deluxe Digibox with CD and high definition sound on PVC download card in deluxe Digipak with 12 page booklet + 70cm x 100cm full colour flag + embroidered patch.

Punk Rock Guilt is the sixth solo album released from desert rock legend Brant Bjork.
We are more then stoked to present you the brand new remastered version of this incredible masterpiece.

We’re thrilled to announce our participation in this ambitious project, in collaboration with CAM Sugar and Decca Records:
for the first time on vinyl, the expanded score to the world’s famous shockumentary ‘MONDO CANE’, composed by Riz Ortolani and Nino Oliviero.
Spikerot Records has curated the project together with CAM Sugar, presenting a new original artwork and a restored musical experience.

The CD Version presents the original tracklist known so far, the same one that originally came out in 1962, containing the Grammy-award-winning song ‘More’, plus 21 previously unreleased tracks, taken from the original recording sessions and carefully selected by Spikerot Records.

6-panel Digipak CD
Artwork by Eric Adrian Lee
Mastered at Toxic Basement Studio by Carlo Altobelli

Out on March 5 2021

Baroness' Yellow & Green finds a band that has developed into more than just giants of the metal underground, they are now fully formed hard rock titans.

This deluxe 2xCD is housed in a heavy duty 28+ page perfect-bound hard covered book set, featuring the art of frontman John Baizley and renowned artists Paul Romano & Aaron Horkey.

Following the buzz of WEDGE's debut, the group now unveils their eagerly awaited follow-up "Killing Tongue" ...and it truly kills! Although also deeply rooted in the rock'n'roll of the late 60s & early 70s, this album clearly is a strong progression from its precursor, presenting a multicolored spectrum of sounds and more diverse songwriting. Power trio-untypical arrangements and instruments like electric sitar, clavinet and harpsichord among others are accompanying especially some of the new psychedelia soaked tunes. But of course you can expect plenty of good old fuzz guitar and Hammond organ driven material as well.

Nebula's first non-EP, full-length release, To the Center is another retro-psychedelic heavy rock platter, long on stripped-down riff muscle and surprisingly technically adept guitar jams. The results sometimes meander, which probably isn't of much consequence if this brand of metal is your bag, since this is what you'd expect in this perception-expanding context. What matters more than tightly structured songs are riffs and atmosphere, and both of those are present in abundance.

Founded in January 2019, Bend the Future is a progressive rock band based in Grenoble, France. Identified generally by their odd-time-scaled tunes, they incorporate elements of '70s prog rock, jazz, funk along with Eastern Europe music in their sound.
During the last days of summer in Little Big Studios, Grenoble, they recorded their debut album, Pendellösung.
Pendellösung tells the story of a hermit in a secluded forest who is a pilgrim in his own memories, memories which are recorded in his writings addressed to an unnamed loved one.

The album explores the concepts of isolation, yearning, confrontation, and awakening through extended-length tunes blended with inventive musicality and a wide range of emotional twists.

MONOLORD make their Relapse Records debut with their new album, No Comfort.
The Swedish power trio channel the most exciting elements of driving rock and crushing stoner sludge to produce one of the year's most gripping and heavy albums.
Tracks like "The Bastard Son" and "The Last Leaf" showcase undeniable riffs piling over each other, continually evolving alongside heart-pounding drums with a bass attack that will make even the most conditioned ears bleed.

No Comfort elevates MONOLORD from one of the underground's best bands to true leaders of the genre.
Rarely does a band so seamlessly fuse absolutely heavy riffs with undeniable groove.

After their early foray into the world consciousness with SOULSIDE JOURNEY they delivered the unholy trinity of A BLAZE IN THE NORTHERN SKY, UNDER A FUNERAL MOON and TRANSILVANIAN HUNGER.
Censorship and heavy handed political correctness forced the band from Peaceville and they made a succession of albums for the fledgling Moonfog label.
Something was always missing from this equation though, and soon the band members yearned to go home and made it clear. 
However, time heals all wounds, and as soon as the band became free they planned their return to the forefront of the Metal existence with Peaceville.
THE CULT IS ALIVE is the fetid, rotting, rocking first fruits of Darkthrone's second coming at Peaceville.

Canadian band Aedh's debut album. Formed in the black womb of Annwn between April of MMXII & March of MMXV, Au-delà des Cendres contains 4 tracks invoking the bloody resurgence of Lugh against the forces of degeneracy by way of atmospheric Black Metal.
To awaken the archetypes buried deep within our hearts, and return to the source of our tradition.

A longtime dream has been to capture the YAWNING MAN performing in the very environment that so inspired their music.

This cinematic concert experience is intimately and beautifully captured by videographer Sam Grant in the environment that inspires Yawning Man’s spacious, expansive and cinematic music.

In the spirit of Pink Floyd’s “Live at Pompeii” the performance is shot on location with no audience, just the band performing their instrumental meditations in the rugged beauty of the Mojave Desert.

Giant Rock in Landers California has attracted Native American Nomads, Scientists, UFO Researchers, and travelers from all over the world, drawn by its magnetic spiritual energy. 
Yawning Man’s music has found a most fitting venue.

Available on Black or Neon Yellow (ltd 450) Vinyl