A hammered 4-stroke beat like a twin cylinder engine running on idle, a roaring guitar riff revving up the rpms of the iron-built motorcycle-inspired band, then the fresh and insisting breeze of a Farfisa organ whispering 'let's ride' and a heavy bass greasing up the reliable crank and rods of that authentic rock'n'roll machine, and there goes, ladies and gents, the mighty Lords Of Altamont combo!
Riding hard on backyard-built, loud pipes and rigid frame undestructible raw choppers, the band left their garage enlivened by the year of 1969, right at the crossroads of the Summer of Love and the birth of punk rock.
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A hammered 4-stroke beat like a twin cylinder engine running on idle, a roaring guitar riff revving up the rpms of the iron-built motorcycle-inspired band, then the fresh and insisting breeze of a Farfisa organ whispering 'let's ride' and a heavy bass greasing up the reliable crank and rods of that authentic rock'n'roll machine, and there goes, ladies and gents, the mighty Lords Of Altamont combo!
Riding hard on backyard-built, loud pipes and rigid frame undestructible raw choppers, the band left their garage enlivened by the year of 1969, right at the crossroads of the Summer of Love and the birth of punk rock.
Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and more...
Eddie Glass and Ruben Romano (ex Fu Manchu) has put together one of the most sonically aural music obliterations ever put down on tape. Along with Queens of the Stone Age and Eternal Elysium, Nebula were one of the most pleasant surprises in the stoner rock movement. To call them another stoner rock band is an injustice to their versatility and dynamism. Nebula experiments with different types of sounds, including the raga piece "Raga in the Bloodshot Pyramid."
“Ravenous Solemnity”, the 2nd full-length album succeeding to 2012’s critically and fan acclaimed “Night Sky Transform”, marks a milestone for the band.
The addition behind the drum kit of John Votsis, one the most talented and dedicated musicians of the local Greek scene, has been instrumental in making of this dense, 43-minute-long odyssey Dephosphorus’ most intense and majestic effort to date.
Illustrated once again with stunning artwork by analog visionaries and friends Viral Graphics, packaged as a glorious gatefold double LP pressed on 180g heavy wax by the good care of the band’s allies and vinyl specialists 7 Degrees Records in cooperation with Handshake Inc.,“Ravenous Solemnity” is destined to be a classic gem in any extreme audiophile’s record collection.
Swedish Death Metal band from Gothenburg. Active from 1997 to 2004.
After Tobias Kjellgren and Johan Norman left Dissection they formed this band as a death/black metal outfit. They took their name from a Dissection song from the Storm Of The Light's Bane album.
"Life Erazer" is their last album and was released by Hammerheart Records in 2003.
What do you get when you mix the Cherubs with equal parts Unsane and Led Zeppelin? Italy's Cani Sciorri of course!
This came out from a common idea of GTB and Alberto the Crippler after receiving shitloads of diy demos including Cripple Bastards’ covers.
We started to make a selection of the best ones and after talking to Curby/Obscene, the project of a celebrative comp. found its way.
This compilation has been really successful and we still agree on saying that most bands featured played the songs better than CB themselves.
Includes CB covers from BIRDFLESH, ROT, TOTAL FUCKING DESTRUCTION, FINAL EXIT, GRIDE, DENAK, & more.
Originally released in 1996, an absolute cult album for all thrash-death maniacs that consecrated Distruzione as one of the best extreme underground bands of '90s, now available in a remastered version.
Violet Cold is one-man studio project from Azerbaijan started by Emin Guliyev in 2013.
kOsmik draws influence from so many different genres, starting off with pure post-rock in the vein of Lights Out Asia and other US references, slowly guitars become sharper and sharper, blackgaze and post-black metal kick in, and kOsmik takes off and simply leaves this planet. The succession between genres is natural and smooth, and the final track, a rearrangement of Bach's Air from the orchestral suite no. 3 in D major BWV 1068, feels a weird yet perfect conclusion to the Azeri's journey.
Avantgarde Music is pleased to release the physical edition of kOsmik, which was originally published digitally earlier this year.
Originally planned for release in 2010, CLITGORE’s ‘Stories of A Bloody Clit’ demo was set on hold while the Romanian Powerhouse finish writing what became their long-awaited debut album, “The Final Cuntdown” (2014). Today, CLITGORE revisits the past and uncovers what is now their latest groovy, romance-fueled offering ‘Stories of A Bloody Clit’.
Take a seat and get ready for a bloody good time. Featuring album art by illustrator Ardha Lepa (who’s worked with the likes of Arkaik, Malignancy, Sinister, and more), ‘Stories of A Bloody Clit’ was recorded between 2010-2012 and features guest appearance by members of Lividity, Mixomatosis, Ultimo Mondo Canibale, and more.
"High Tension vol. 35 / Calibro 35 plays Lesiman" slightly shifts the quartet's action scope still towards music for films; the reference is the so-called 'library music' which, as the term itself suggests, can be defined as a discotheque made of sounds and compositions rich in experimentation, sometimes avant-garde and label-free, which film directors drew from to sonorize their works.
This is a world which Calibro 35 are undoubtedly related to from the beginning, but that they had never dealt with as strongly as in this record: here the four-piece, accompanied by Sebastiano De Gennaro on percussion and Luisa Santacesaria on piano, reworks some compositions by the famous Paolo Renosto / Lesiman firstly published in the early '70s.
Standard 180gr. black vinyl edition.
The new full-length album by Majestic Downfall is, without a doubt, the strongest band's release to date.
Sophisticated compositions, sound and concept: all these elements are perfectly combined to reflect the unique face of the group and its vision of the doom death metal style, which consists in a refined alloy of heaviness, atmosphere and melody.
The music of despair, the music of pain. Too personal and too emotional to live it through every time, and too beautiful to be able to reject every new listening!
¡PENDEJO! is a four-piece heavy rock band from the Netherlands, founded by two cousins with a history in Latin America. Digging into their latino roots, El Pastuso and Jaap 'Monchito' Melman started blending heavy riffage, pounding drums, right-in-your-face lyrics in urban Spanish about the weirdest stories in life, and to top it all off, a screaming trumpet.
'Cantos a la Vida' (2010), the band's first full length album, was initially released in Spain and got stunningly positive reviews there.
Their music has been described as heavy, addictive, rough and grooving, or as a Spanish critic so eloquently put it: "Heavy rock in Spanish with balls the size of Danny de Vito".
- 150x yellow/red splatter vinyl
- deluxe 300gsm gatefold cover
- special vinyl mastering
Making heads turn since 2016 with the cosmic Death Metal exposed in their Demos, Eps and splits with Undeath and Into Coffin, Italy's Devoid Of Thought finally release their 40 minutes debut full length combining influences from bands like Timeghoul, Blood Incantation, Voivod and Incantation in a unique, bizarre and twisted vortex.
For fans of Blood Incantation, Timeghoul, Voivod, Demilich.
200 COPIES ON REGULAR BLACK VINYL!
After 5 years since their last record, this is a heavy ride through the band's sound roots between the psychedelic and doom, with a crisp approach and a new hunger!
With Dead Planet Oliveri has taken a band once considered a side project and turned it into a full-fledged rock and roll powerhouse.
As has been his trademark when he had written songs with Kyuss or QOTSA, this album just oozes with punk rock ethos.
Combined with the stoner rock influences that he helped create, this album is a study in excess and self-indulgence. And that is exactly what makes it so damn good.
