Waco Jesus ‎– The Destruction Of Commercial Scum - CD

Limited Edition of 30 copies.

CRATEDIGGERS FROM HELL!
Vinyl and zombies. Name a better duo, we'll wait.
Tote bag available in 4 colorways, an essential companion for your digging sessions!

Design by Dartworks

Shipping start on August 8

A true four-piece, Portland, Oregon's Ape Machine has been called "a rock and roll band with a finger on the pulse of the 70's and their asses firmly in the present" and "real heavy-psych for the iPhone generation" that delivers "true guts and glory rock and roll." Combining psychedelic, classic and progressive rock with arena-worthy metal, bluesy stoner-rock and catchy riffs in odd signatures, Ape Machine's music carries an organic depth and warmth rarely heard since the time of rock's glorious early years (or your Dad's bad ass record collection) infused with an exceptional modern sensibility.

Symbology of Shelter sees ever more dissonant black metal influences seeping into Noise Trail Immersion's chaotic music, balanced out by traces of post-metal utilized to make the group's compositions more dynamic and versatile.
Noise Trail Immersion thrives on fusing chaos and calm in an emotionally rousing manner both mournful and vitriolic throughout Symbology of Shelter. The album kicks off knee deep in disgust and aggression, seething endlessly on cuts such as opener "Mirroring", while showcasing an ambitious side and somber vibes of an entirely different nature on the album’s double dose of two-part songs, beginning with "Repulsion and Escapism Parts I and II", then returning later on the album to the journey contained between “The Empty Earth I” and “The Empty Earth II”.

GOLEM. This legendary and absolutely underrated band started back in 1989. In the 1990s they have released two of the best Death Metal albums ever,
FDA Rekotz is re-releasing both "Eternity - The Weeping Horizons" (1996) and "The 2nd Moon" (1998) as Double LP, Double CD and for Download.
Both albums were remastered by Andreas Hilbert (head of the band) and to top it of Mark Cooper has created new killer artwork.
GOLEM are influenced by bands like CARCASS, DEATH or MORBID ANGEL and are surely on the same musical level. They never got the luck to be pushed by one of the big record labels at the time (early/mid 90s). They are still more or less active and the time has come to rise above and beyond, to show their great compositions to a wider audience.

Pyraweed is a band band from Azerbaijan playing Hypnotic Stoner/Doom Metal.

"Across their latest release ‘Green Jinn’ you’ll hear elements of Sleep, Melvins, and Om amongst the heavy bass and drum rhythms. Stoner doom gold right here folks." [Hand of Doom Radio]

"With "Green Jinn" Pyraweed once again crawl into songs inspired by packed bong of emerald enlightment. The band renders a smoke-hazed swamp of molasses-like pacing, as they ooze their doom sludge grooves. They spark flames of psychedelia as they exhale tripped out, airy vocals." [Riff Relevant]

The new I.C.O. album is a journey that intersects and expands in a huge, deep and at times, claustrophobic monolith.
Heavy cavernous guitars with back-breaking riffs, multifaceted, effect laden vocals and rhythmic notes plunge into a psychedelic mix of unpredictable sounds of distress and madness that we, the recipient, can only succumb to.
The album ultimately analyses the irrational, insane feelings of the man who face a journey toward the unknown.
The participation of Urlo and Poia of Ufomammut, both during the composition and the recording sessions opens the project to a new light. Recorded in Rome at Locomotore Studio by Lorenzo Stecconi (already soundlord for such important discs as Ufomammut and Lento).

Red Wine LP limited to 100 copies. Silkscreened cover + the full album on CD

Limited to 300 copies, only sold on the band's Russian tour

Arising from the cold depths of the Basque Seas emerges KEZIAH; an omnipotent creature with sludge coursing through its veins.

This unrelenting beast channels the swaying, down-tuned riffs and hypnotic, swirling drumming patterns synonymous with the tormented aspects of sludge/post-metal with their latest, aptly titled, release 'The Unknown'.

In just under 40 minutes, images of the world being swallowed in cold, empty oceans will play out as the soundtrack perpetrates your consciousness with molasses-thick progressions and harrowing vocal delivery that'll shake the most sturdy of souls. Nods to Mouth Of The Architect and Cult Of Luna are present whilst retaining originality.

On 'Revenant' HUMAN CULL push their already frantic crust-tinged blast-heavy grind of the last release into overdrive, featuring a huge production from Will Blackmon (Gadget, The Arson Project) and furious instrumental performances running in the style of 'FETO' era Napalm Death or 'Human 2.0' Nasum.

The band display clear death metal and crust influences here, and this is certainly the closest to death metal their sound has come. Strong tones from the likes of Unleashed, the ever present Swedeath classics like Entombed and Obituary are found rubbing shoulders with the angular notes of Discordance Axis and Doom, flowing together in one gribbly monstrosity of a release.

This album is the most polished example of contemporary grind from these veterans of the UK scene.

FFO: Unearthly Trance, Mantar, Coffinworm

Corbeaux is about noise-rock / post-hardcore music. Dark, living matter with metal bits. From the west of France.
Recorded, Mixed and Mastered by Amaury Sauvé (As We Draw, Birds in Row…) and Magnus Lindberg (Cult of Luna, Abraham, Coilguns)