Arroganz ‎– Erzketzer - MCD

This camel is certainly not a lone voice in the wilderness. Especially since LONELY KAMEL indeed sound like a desert, but in truth come from Norway. And obviously traditional Hard Rock can be produced quite exquisitely between fjords and endless forests, which sound nice, meaty and dry. On their fourth album the Norwegians act in the tension between Hard Rock from the seventies, Stoner Rock, Blues, Psychedelic and a dash of Doom.
Nine tracks with everything the genre has to offer: from the rough, punky title track, which has a certain punk attitude over extended jams to compact four-minute earwigs. And thus is clear: LONELY KAMEL clearly belong to the spearhead of the European Rocker scene.

The third album "Terrene" from international death/funeral doom act Mesmur is a colossal and moving sonic rendering of a dying world.
Where their 2017 album "S" operated on a cosmic scale, Terrene explores similar themes of entropy and impending chaos in a more terrestrial context, and is rife with the suffocating dirges and toxic atmosphere the band is known for.

Featuring guest flute and cello performances by Don Zaros of Evoken and the Russian Nadia Avanesova, and another stunning cover design by Ukranian painter Cadaversky, Terrene reaches new levels of scope and ambition for Mesmur in their objective to create a vast and immersive doom metal experience.

Founded in 2006 in Weil am Rhein, Germany, "Holdout" is Pessimist's third album.

Limited to 350 Units Translucent Purple Vinyl, housed in single jacket. Comes with lyric sheet.

Northern California Slam Machine, Cerebral Engorgement is back with their long awaited 5th studio album, 'Cerebral Chronicles'. The highly anticipated follow up to the 2013 release, "Gastrointestinal Bleeding". 'Cerebral Chronicles' delivers ten new slam infested tracks of menacing guttural brutality and blasting decimation; showcasing Cerebral Engorgement's most menacing album to date.

The 26-minute Slam Avalanche features album art by Pedro Sena (Analepsy, Ingested, Putrid Pile), and was recorded, mixed and mastered by Mike Simon in Tomales, CA between 2015-2018.

A complex and experimental outburst of Thrash Metal explosion. Released the same year as Death metal intruded the Thrash-scene. Last release before the band changed their name to Rusicrucian.

180g black LP limited to 500 copies.

179 tracks. This CD includes the Rats In The Control Room & Oblivion Riders cassettes + material from splits and compilation tracks from 2015-2018.

On the aptly named 'Darkthrone Holy Darkthrone', eight Norwegian Black Metal legends pay tribute to the inspirational band that helped define the genre and pave the way for decades of destruction to come.
Originally released in 1998, the album was in honour of Darkthrone's first 10 years of existence.

The album mainly focuses on Darkthrone’s earliest works, from the blasting opener from the ‘A Blaze in the Northern Sky’ album - courtesy of Satyricon - via the experimental rendition of ‘The Pagan Winter’ from Thorns.
Closing with Immortal’s ‘To Walk the Infernal Fields’, this is a faithful and passionate tribute to an essential band given an individual touch from each act involved.

'Success' is a funny concept. On its rawest, most pure form, it is entirely relative, and this was the subject KEN mode chose to approach their new album with.
Both sonically and lyrically, a shift has been made from the classic spitting of metallic hardcore tinged vitriol to a more raw indie aesthetic.
On 'Success' KEN mode pay tribute to where they've come from, saluting both their Canadian Prairie roots and a time when they first started to care about making music.
This was a time when the burgeoning grunge scene of the late 80's / early 90s, with bands like NIRVANA, BIG BLACK, COP SHOOT COP, THE COWS, CIRCUS LUPUS, and DRIVE LIKE JEHU were warping their teenage minds.

Acid Cream" marks the fuzzy comeback of KILLER BOOGIE. Gabriele Fiori and Luigi Costanzo are joined by the new bassist Nicola Cosentino on this 11 track long trip. The new album is inspired by the crazy days of the late 60s and the 70s, with a pinch of proto-punk and proto-metal feeling in the sound of this sophomore incredible album. This album is filled with riffs that will please all fuzz & muff lovers.

BxPx are back again, billowing out barrels of grind that will pollute your mind like a 6-ft bong hit of From Enslavement to Obliteration. As with their debut LP, BxPx continue the tradition of no-thrills grindcore, keeping it direct and brutal not unlike their earlier band EXCRUCIATING TERROR.

Classic goregrind split available for the first time on wax!
Limited to 300 copies. Includes an insert.

ENCOFFINATION, the most wretched and abysmal death metal band of the last decade, return with their third full length record. "III - Hear Me, O' Death" is 60 minutes of abysmal, funereal death metal; the most destructive recorings of their career.

A must have for fans of INCANTATION, RIPPIKOULU, MORPHEUS DESCENDS, dISEMBOWELMENT.

Germany's DEPRESSION returned with a new album for their 30th anniversary containing 30 songs for a total lenght of 70 minutes. Awesome old school Death/Grind from the German veterans!

In 2010, after 17 years of hiatus, progressive aggressive forefathers ATHEIST reemerged more massive than ever. 'Jupiter' is a landmark return to earth of sonically gargantuan proportions.
In the late 80’s and early 90’s, this band, alongside fellow Floridians DEATH and CYNIC, handcrafted the subgenre that spawned bands such as MESHUGGAH, BETWEEN THE BURIED AND ME and MUDVAYNE. With 'Jupiter', ATHEIST perfected it immensely.

We’re stoked to announce the release of ‘I Cannibali’ (aka ‘The Cannibals’ / ‘The Year Of The Cannibals’), score to the dystopic 1970’s movie by Liliana Cavani, composed and orchestrated by Maestro Ennio Morricone and conducted by Bruno Nicolai.
Available for the first time ever on vinyl, the opus features vocal apprerances of Don Powell and Audrey Nohra Stainton as well as the glorious choir I Cantori Moderni di Alessandroni, also including alternate takes and previously unreleased tracks.

Mastered for vinyl by Carlo Altobelli at Toxic Basement Studio, pressed on double 180g LP in two color variants and housed in an elegant gatefold jacket with captivating artwork from Basthard Design.

RELEASE DATE: DECEMBER 13, 2019