Von Bøøm ‎– Punkrock Terrorists - CD

Are they glam? Are they metal? Stoner rock? Psych? Prog? For over a decade, people have been trying to pin down Glitter Wizard but this San Francisco band refuses to be pigeonholed. Pulling influences from the entire heavy rock canon, G Wiz combines scorching guitar riffs and spaced out synths to creates something familiar, yet entirely new and weird. Their latest album, Opera Villains, brings the heat that we've come to expect from the band but adds a layer of dramatism that we haven't heard before.

Dead Witches roar back from the studio on two wheels, Chuckalumba, where the fabled sessions for Dopethrone and Let Us Prey by Electric Wizard were recorded and Dead Witches debut Ouija. Sessions began on the full moon 25th August in the heart of the New Forest deep in Dorset, the hallowed home of 90's doom legends and Electric Wizard folklore, marking Mark’s fourth time in both bands at Chuckalumba. A banshee wail of woeful siren song weaving a sinister world of horror doom, through waves of burgeoning fuzz and hell sent thunder on the drum kit. Realising the magnitude of what they had committed to tape, Dead Witches began to seek Doug Shearer, wizard of mastering and the final member in the coven. His previous also including Dopethrone and Let Us Prey.

OXBLOOD VINYL LTD 300 COPIES!
With the smoky flavors of hazed out doom and the stomping cadence of rock’s heyday, the band both tickles and deafens the ears with the theatrical flashes of Mercyful Fate, the ominous tones of Electric Wizard, and the ferociously feral feedback of a Sleep dirge.

You can almost smell the weed, the blood, and the sweat as DUEL Live At The Electric Church takes you on a tripped out journey to an old abandoned Spanish church turned DIY rock venue in East Austin, Texas USA.

The front door is locked....The entrance is around the backside of the old building where rowdy metalheads and stoners huddle around a small bonfire made mostly of trash.

Through the walls you can hear the thumping of a full on beer soaked high energy rock show.
Swirling psychedelic tones breaking into blistering riffs, and the relentless chugging and smashing as DUEL deals one sonically punishing blow after another.

Yellow Cover / Yellow Vinyl
Green Cover / Green Vinyl

Eddie Glass and Ruben Romano (ex Fu Manchu) has put together one of the most sonically aural music obliterations ever put down on tape. Along with Queens of the Stone Age and Eternal Elysium, Nebula were one of the most pleasant surprises in the stoner rock movement. To call them another stoner rock band is an injustice to their versatility and dynamism. Nebula experiments with different types of sounds, including the raga piece "Raga in the Bloodshot Pyramid."

Darkthrone began in the late 80's as a thrash/death metal act and progressed through technical death/doom metal experimentation to become hugely respected and influential legends of the black metal world, and one of the original leading forces of the Norwegian scene, alongside other legendary acts such as Mayhem and Burzum.
'Sempiternal Past' contains all 4 of Darkthrone's cult demo releases recorded between 1988-1989 ('Land of Frost', 'A New Dimension', 'Thulcandra', & 'Cromlech') and shows the remarkable development of the band in its early years.
Each demo has now been fully restored and re-mastered from the best tape sources available, specifically for this release.
The cd booklet features liner notes, lyrics and rare photos of the band in their early years.

Cult Swedish Death Metal from the early 90s!
The material carry a huge influence from faster USDM bands like Morbid Angel, Deicide and Malevolent Creation, spiced up with some frenetic, cosmic and philosophical atmosphere, lyrics rooted deeply in the Mythos of H.P. Lovecraft.
Spiritually Controlled Art is 17 minutes long only but a fine example of how bands were taking the pure death metal strains of both shores and twisting them into novel formulas.
The mix of cosmic, cerebral horror and violent, proficient death metal might not seem so novel anymore, but Liers in Wait were one of the first to make it stick, albeit briefly.

Crystal clear vinyl with yellow & orange speckless. Including 4 page full color booklet and hype sticker. Side B comes with etching from Liers In Wait original logo.

Two german bands of pure oldschool Death Metal / Doom Death.

Gods & Goddesses is the seventh solo album released from desert rock legend Brant Bjork.
It features a new band lineup, including Billy Cordell (ex-bassist of Yawning Man).
Today we would like to present you a brand new remastered version of this amazing record.

Available on Black or Clear Blue(ltd.700) Vinyl

On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken!!
BONGZILLA is back with a new full length album, 16 years since their last record.
These Pioneers of Weed Metal would like to present “WEEDSCONSIN” to the universe.
An album written by the three long standing original members of Bongzilla - Muleboy, Spanky, and Magma.
The six brand new tracks will blow your mind! In a single instant you are contaminated by the classic Weed-Infected sounds the band is known for, while also finding new elements mixed into the bowl. In the unique piece that is Weedsconsin, Bongzilla delivers heavy doses of Crushing Stoner Doom and Psychedelic Space Rock that sets it apart from earlier material.

Available on Black or Transparent w/Green and Red Splatter Vinyl

DK DANCE are at the forefront of the jaw-dropping talent of digital/hardcore/industrial metal coming out of France in the 2010's.
Steady drum machine thuds + black metal riffs + led by torturous and wretched female screams = One unbelievable release, that years from now you'll be still hearing about.

Symbology of Shelter sees ever more dissonant black metal influences seeping into Noise Trail Immersion's chaotic music, balanced out by traces of post-metal utilized to make the group's compositions more dynamic and versatile.
Noise Trail Immersion thrives on fusing chaos and calm in an emotionally rousing manner both mournful and vitriolic throughout Symbology of Shelter. The album kicks off knee deep in disgust and aggression, seething endlessly on cuts such as opener "Mirroring", while showcasing an ambitious side and somber vibes of an entirely different nature on the album’s double dose of two-part songs, beginning with "Repulsion and Escapism Parts I and II", then returning later on the album to the journey contained between “The Empty Earth I” and “The Empty Earth II”.

BIG SCENIC NOWHERE is coming back with a new killer Ep titled “LAVENDER BLUES” ….the band boasts a core of members consisting of Bob Balch from FU MANCHU, Gary Arce from YAWNING MAN, Bill Stinson from YAWNING MAN and Tony Reed from MOS GENERATOR.

This time the album is going to feature great names like Per Wiberg of OPETH and SPIRITUAL BEGGARS on synth and piano, Daniel Mongrain of VOIVOD on guitar and finally Chris Goss, the mighty producer of KYUSS and of MASTERS OF REALITY on guitar.

The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there.

The album once again features the cover art of the visionary Max Loeffler.

Black Vinyl

“With the true spirit of Black Metal coursing through every incendiary riff on ‘Lawless Darkness’, Watain have been reborn with sharpened intent and blazing potency, creating an intense and enveloping paean that keeps the black flame burning." (Terrorizer)

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“This is the new benchmark for epic, extreme Black Metal.” (Aardschok)

"A much-more-than-worthy follow-up from one of the most relevant Black Metal bands around. Up-to-date Bathory worhip with extra everything.” (Close-Up)

“‘Lawless Darkness’ is a new frontier for Black Metal.” (Metal Hammer)

“Majestic and complex, yet with a stunning drive and ferocious energy. The rebirth of darkness and evil. The grand return!” (Sweden Rock)

Topped off by a gloriously gory artwork, the album alternates between quasi-Swedish buzz (‘Into Obliteration’) and blissfully hideous doom in the vein of Autopsy, at times even blackly blasting as in ‘Festering Alive’, constantly swinging and swashbuckling in equal measure.
Fast barnstormers like the opening ‘Resurrect the Source’, the impossibly catchy ‘The Trophy’ or the thrash tango that is ‘Desolate Animation’ brim with both youthful exuberance and the deliberate songcraft you’d expect from seasoned masters … which Evoked, too, are destined to become.