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The Berlin-based power trio once more is driving their musical WEDGE in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we've heard a hundred times before "Like No Tomorrow" has one huge advantage: It's brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock'n'roll menu.
The Berlin-based power trio once more is driving their musical WEDGE in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we've heard a hundred times before "Like No Tomorrow" has one huge advantage: It's brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock'n'roll menu.
The album was recorded in Joshua Tree, California, USA, before Christmas 2006. The 8-track album is a mix of old and new tracks. “Some days I just like to sit outside under the sun with my guitar and sing my songs to myself. It relaxes me. It also reminds me of what my songs are about. ...went to Tony's house when I got back to the desert last October...put up a mic and rolled tape. It took 3 days to make this recording...so we naturally called it Tres Dias. Dig it.”
Reissued by Heavy Psych Sounds in 2018.
Following the buzz of WEDGE's debut, the group now unveils their eagerly awaited follow-up "Killing Tongue" ...and it truly kills! Although also deeply rooted in the rock'n'roll of the late 60s & early 70s, this album clearly is a strong progression from its precursor, presenting a multicolored spectrum of sounds and more diverse songwriting. Power trio-untypical arrangements and instruments like electric sitar, clavinet and harpsichord among others are accompanying especially some of the new psychedelia soaked tunes. But of course you can expect plenty of good old fuzz guitar and Hammond organ driven material as well.
Nebula's first non-EP, full-length release, To the Center is another retro-psychedelic heavy rock platter, long on stripped-down riff muscle and surprisingly technically adept guitar jams. The results sometimes meander, which probably isn't of much consequence if this brand of metal is your bag, since this is what you'd expect in this perception-expanding context. What matters more than tightly structured songs are riffs and atmosphere, and both of those are present in abundance.
Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and more...
Prior to the formation of Queens of the Stone Age, bassist/singer Nick Oliveri recorded some originals with ex-Kyuss bandmates Josh Homme (guitar) and Brant Bjork (drums), plus Karma to Burn's Rob (drums) and others.
But once recording was completed, Oliveri decided to shelve the tapes; it wasn't until several years later (well after Queens of the Stone Age began to establish themselves) that the bassist decided to release the songs on a friend's indie label, Southern Lord Records.
Going by the name Mondo Generator, 11 tracks were compiled for the 2000 release Cocaine Rodeo.
The majority of the songs are much more raw and hardcore/punk-based than Oliveri's output with QOTSA, as evidenced by such tracks as "Shawnette," "Uncle Tommy," "Unless I Can Kill," and "I Want You to Die."
BIG SCENIC NOWHERE is coming back with a new killer Ep titled “LAVENDER BLUES” ….the band boasts a core of members consisting of Bob Balch from FU MANCHU, Gary Arce from YAWNING MAN, Bill Stinson from YAWNING MAN and Tony Reed from MOS GENERATOR.
This time the album is going to feature great names like Per Wiberg of OPETH and SPIRITUAL BEGGARS on synth and piano, Daniel Mongrain of VOIVOD on guitar and finally Chris Goss, the mighty producer of KYUSS and of MASTERS OF REALITY on guitar.
The sound once again has this mellow and psychedelic attitude, with pinches of space rock and a matrix of desert sound, but you can also hear some progressive passages, and old school hard rock riffing here and there.
The album once again features the cover art of the visionary Max Loeffler.
With their anticipated new album “For This We Fought The Battle Of Ages”, Salt Lake City doom-chamber metal band SUBROSA have created their most triumphant and most enveloping album to date. “For This We Fought The Battle Of Ages” sees SUBROSA expanding their sound to a new plateau with their heaviest, darkest, and most dynamic-sounding album to date through bigger-sounding production value (the new album was fully engineered and mixed by drummer Andy Patterson). With the awareness brought onto the band with the new album’s predecessor, which also saw SUBROSA on their most active touring schedule yet, “For This We Fought The Battle Of Ages” will bring more demand and awareness to the band as they prepare to unveil their most important and crucial album in their repertoire.
Cropsy Maniac unleash their second full length entitled 'Cult Of Cropsy' on Cavernous Records. Expect horror-fuelled death metal savagery including guests Silvester Goregnome of Fondlecorpse, Patrick Bruss of Crypticus , Stevo Sama of Impetigo and Cam Alfred Schwarz of Rabidog Films.
Featuring artwork by Ranarchy, layout by Sly the Goregnome and mixed and mastered by Patrick Bruss in The Filth Chamber!
BLACK 2 x 12"LP LIMITED TO 200 COPIES
The 4th album of suffocation and oppresive funereal death metal from these purveyors of wretched doom.
Accept no imitation or falsehoods.
A must have for fans of INCANTATION, RIPPIKOULU, MORPHEUS DESCENDS, DISEMBOWELMENT.
France's finest in Grindcore, Sublime Cadaveric Decomposition!1
'Success' is a funny concept. On its rawest, most pure form, it is entirely relative, and this was the subject KEN mode chose to approach their new album with.
Both sonically and lyrically, a shift has been made from the classic spitting of metallic hardcore tinged vitriol to a more raw indie aesthetic.
On 'Success' KEN mode pay tribute to where they've come from, saluting both their Canadian Prairie roots and a time when they first started to care about making music.
This was a time when the burgeoning grunge scene of the late 80's / early 90s, with bands like NIRVANA, BIG BLACK, COP SHOOT COP, THE COWS, CIRCUS LUPUS, and DRIVE LIKE JEHU were warping their teenage minds.
T.C.F.T.T. from Germany, founded in August 2012.
What we have here is flawless slow motion heavy Horror-Gore. This is based on the horror movie "Creature from the Black Lagoon" For Fans of CBT, The Day Everything became Nothing
Psychedelic jam rock having sex with heavy metal.
From Russia with Love.
Only two songs for one full hour of music.
High Reeper’s self titled debut is an unapologetic punch to the face for fans of early ‘70s proto-metal. The sound and smell of leather, weed, boozing, gambling and death permeate the record from start to finish. Nine tracks that run from uptempo straight ahead rock, to slowed down, heavy, early doom. With a rhythm section throwing down grooves that are deeper than the darkest abyss and guitars big enough to put a hole in your chest, the record’s finale hits just as hard as its opening track. Vocals that soar above the guitars with laser like precision, while delivering a direct hit to your soul.
Comes in a six panel, double gatefold digipak.
Reissue with alternative cover art and two bonus tracks
Ryte’s debut album is basically the result of an intense one-and-a-half-year writing process (late 2016 - early 2018), which was definitely fueled by a very creative and communal spirit within the band.
The album consists of four long tracks which were constructed and developed carefully over time. The flow came totally natural as every member participated equally and contributed their very own personal abilities.
The album definitely pushes the boundaries of Psych rock as it is influenced by countless styles of music including Doom, Prog Rock, Jazz and even World Music.
The sound is dominated by down-tuned, sometimes doomy, sometimes epic twin guitars, dynamic and jazzy drums, distorted, playful basslines and spacey Theremin landscapes.
Clear Water Green LP limited to 350 copies
"...FROM THE EARTH TO THE SKY AND BACK" is the perfect soundtrack for a mind travel or a real journey on a hot hot summertime day.
Acoustic and electric guitars, percussion, banjo and pedal steel mixed with mellow vocals that let you dream away.
This is the band’s sophomore album and is composed of 14 songs. The first part of the album is inspired by a classic country attitude mixed with a spaghetti western sound. The rest of the album presents different moments, while conjuring up atmospheres reminiscent of Santana, The Eagles, Crosby Stills Nash and Young, Spirit, Captain Beyond and recent Motorpsycho, we can simply file the genere under : Acoustic, Melodic, Psychedelic Folk.
It’s easy to imagine the mouthful title of riff-rocking Roman trio Black Rainbows third album, Supermothafuzzalicious!! (double-exclamation points included), emerged as a spontaneous outburst upon hearing the record in studio playback. It’s about as apt a title as I could come up with, and though the band seem to be perpetually following the riffs of guitarist/vocalist Gabriele Fiori, they have undertaken some creative growth since their 2008 debut. (The Obelisk)
Melancholic, outstanding and incredible emotional Death/ Doom Metal from Thuringia (Germany).
FDA Rekotz is more than proud to present DECEMBRE NOIR's first full length album “A Discouraged Believer”.
There's something special in their music that would appeal to every metal fan. Seven outstanding compositions will draw you into their spell.
Produced, mixed and mastered by Alex Dietz (Heaven Shall Burn) & Eike Freese Project Mayhem.
Decembre Noir, highly recommended for fans of early Opeth, Katatonia, October Tide, My Dying Bride etc.
What do you get when you mix the Cherubs with equal parts Unsane and Led Zeppelin? Italy's Cani Sciorri of course!