Arroganz ‎– Primitiv - LP

With their eleventh full-length “KATA TON DAIMONA EAYTOY” ROTTING CHRIST climb another step on their steep career ladder.
"KATA TON DAIMONA EAYTOY" takes the musical and lyrical concept of adding an unmistakable native element to the sound for a very distinctive and individual twist another step further. ROTTING CHRIST clearly confirm their very own sound, which they skilfully vary with female vocals, piano, bagpipes, horns and by other means.

Their confident song writing displays a maturity and perfection born out of long years of composing.
By delving deep into ancient poetry, tales of spirits and beliefs, ROTTING CHRIST evoke a fascinating mystical atmosphere.
Witness the many wonders of "KATA TON DAIMONA EAYTOY"!

The score to one of the most influential Horror Movies ever made, from Maestro Roberto Nicolosi, is available in its entirety on vinyl for the first time ever.
Remastered from the original master tapes at Toxic Basement Studio, cut at 45rpm and pressed on 180g audiophile vinyl, the album includes 20 unreleased tracks, liner notes from Lamberto Bava and is housed in a deluxe Gatefold sleeve with a die-cut slip-case featuring a stunning artwork by SoloMacello.

“LA MASCHERA DEL DEMONIO” Original Soundtrack is limited to 500 copies, available in two color variants:

- ASA’S REVENGE (Purple/Black vinyl) - limited to 100 copies + fold-out poster and an exclusive card (Spikerot.com Exclusive)
- KATIA’S CURSE (Bone vinyl) - limited to 400 copies

The ultimate Crossover album between Thrash and Death Metal delivered by Brazilian underground heroes! Set the World ablaze!

For fans of: Deicide, Sarcofago, Defleshed, Power Trip, Incantation.

About the Demo Series: FDA releases outstanding demos on CD and digital Download to introduce, support the bands and spread their musical plague over the globe, to make them interesting for upcoming releases on FDA Records or whereever.

VOL.3. FEACES CHRIST – Eat Shit And Die - CD

Dirty Death Metal punk from unholy Bavaria, highly recommended for fans of Death Breath or Nekrofilth. A full length coming up on FDA Records.

London’s Widow (also known as Ritual) came to be known during the period of the New Wave Of British Heavy Metal. The band’s self-titled debut album was originally issued on Legend Records in 1983. High Roller Records is proud to announce the official re-release of the legendary "Widow" album including its notorious “naked witch” cover. The material has been carefully re-mastered my Patrick W. Engel and includes a separate 7” single with no less than four bonus songs (“Temptation”, ”Forever”, “House Of Secrets” and “Into The Night”).

Slipcase CD.

Money is power. This is truth and the theme of VULTURE INDUSTRIES’ twisted new album, “The Tower”.
The Norwegians’ new full-length explores dark musical vistas and lyrics within a unique mixture of progressive, experimental, extreme and even foreboding symphonic elements. With a wealth of creativity and the ability to shift gears smoothly in the blink of an eye, VULTURE INDUSTRIES bend, twist, and shape their songs into living entities embodying the width and breadth of human emotion.
Recommended if you like: FAITH NO MORE, DEVIN TOWNSEND, ENSLAVED, ARCTURUS, NICK CAVE, VIRUS

The third album by the Italian band continues exploring dark fantasies of the talented musicians.
Demonstrating significant progress and development, (EchO) created a mosaic canvas on a melodic death doom metal base filled with outstanding melodies and intersections with different styles, with a touch of psychedelia and a perfect combination of fragility and brutality (both in music and vocals).
Carefully crafted arrangements ensured by the coherence and skills of the musicians are the unique feature of (EchO), that was perfected by Greg Chandler (Esoteric), who performed mixing and mastering in Priory Recording Studio.

After their early foray into the world consciousness with SOULSIDE JOURNEY they delivered the unholy trinity of A BLAZE IN THE NORTHERN SKY, UNDER A FUNERAL MOON and TRANSILVANIAN HUNGER.
Censorship and heavy handed political correctness forced the band from Peaceville and they made a succession of albums for the fledgling Moonfog label.
Something was always missing from this equation though, and soon the band members yearned to go home and made it clear. 
However, time heals all wounds, and as soon as the band became free they planned their return to the forefront of the Metal existence with Peaceville.
THE CULT IS ALIVE is the fetid, rotting, rocking first fruits of Darkthrone's second coming at Peaceville.

Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and more...

SPLIT LP OF DROM & BLUES FOR THE REDSUN

A hammered 4-stroke beat like a twin cylinder engine running on idle, a roaring guitar riff revving up the rpms of the iron-built motorcycle-inspired band, then the fresh and insisting breeze of a Farfisa organ whispering 'let's ride' and a heavy bass greasing up the reliable crank and rods of that authentic rock'n'roll machine, and there goes, ladies and gents, the mighty Lords Of Altamont combo!

Riding hard on backyard-built, loud pipes and rigid frame undestructible raw choppers, the band left their garage enlivened by the year of 1969, right at the crossroads of the Summer of Love and the birth of punk rock.

Canadian band Aedh's debut album. Formed in the black womb of Annwn between April of MMXII & March of MMXV, Au-delà des Cendres contains 4 tracks invoking the bloody resurgence of Lugh against the forces of degeneracy by way of atmospheric Black Metal.
To awaken the archetypes buried deep within our hearts, and return to the source of our tradition.

Following 2001’s massive debut ‘…and Justice for Y’All’, the crushing second full-length ‘Sixteen Tons’ kept the buzz growing the following year, while critics were still struggling to put a tag on their sound. Nearly everybody agreed that stoner rock, doom, sludge and some crusty elements were part of the mix, which the band simply calls "weed metal". Produced by renowned engineer Billy Anderson (EYEHATEGOD, NEUROSIS).